Early American portraiture emerged in the late 17th century, influenced by English and Dutch traditions. It started with a flat, linear style focused on capturing likeness and status, but gradually shifted towards more naturalistic and expressive approaches in the 18th century.
The demand for portraits was driven by the growing wealth of colonial elites and the rise of the mercantile class. Enlightenment ideas about also contributed, as portraits became a way to celebrate and memorialize notable figures in the absence of strong religious art traditions.
Portraiture's Emergence in Early America
Early Influences and Characteristics
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Portraiture in early American art emerged in the late 17th century influenced by English and Dutch traditions brought over by immigrant artists
Early American portraiture characterized by a relatively flat, linear style emphasizing capturing the likeness and status of the sitter rather than psychological depth or artistic expression
Gradual Shift and Evolution
18th century saw a gradual shift towards more naturalistic and expressive portraiture, influenced by the and styles popular in Europe
Development of American portraiture as a distinct genre marked by the rise of native-born artists (, ) who began to incorporate uniquely American elements and themes into their work
By the early 19th century, American portraiture had evolved into a more sophisticated and nuanced art form with artists (, ) producing works of great technical skill and artistic merit
Factors Driving Portrait Demand
Wealth and Social Aspirations
Growing wealth and social aspirations of the colonial elite, particularly in major port cities (Boston, New York, Philadelphia), fueled demand for portraits as status symbols and markers of refinement
Rise of a mercantile class in the 18th century created a new group of patrons who sought to assert their social and economic standing through commissioned portraits
Enlightenment Ideas and Commemorative Needs
Influence of the Enlightenment and spread of ideas about individualism and personal achievement contributed to growing interest in portraiture as a means of celebrating and memorializing notable figures
Absence of a strong tradition of religious art in the Protestant colonies meant portraiture became one of the primary outlets for artistic expression and patronage
Political and social upheavals of the Revolutionary era and heightened demand for portraits as a way of asserting and commemorating important leaders and events
Patronage and Early American Portraiture
Dependence on Commissions
Patronage played a crucial role in the careers of early American portrait painters, as most artists were dependent on commissions from wealthy individuals or institutions to sustain their practices
Tastes and preferences of patrons often dictated the style, format, and content of portraits, with artists having to balance their own artistic vision with the demands of their clients
Cultivating Networks and Securing Commissions
Successful portrait painters (John Singleton Copley, Gilbert Stuart) able to cultivate networks of influential patrons, which helped establish their reputations and secure a steady stream of commissions
Some artists (Charles Willson Peale) leveraged connections to prominent political figures to gain lucrative government commissions and establish themselves as leading portraitists of the early republic period
Shift Towards Commercialization
Rise of public exhibitions and growth of a more commercialized art market in the early 19th century began to challenge the traditional system of patronage, giving artists more freedom to experiment with new styles and subjects