Historical reliefs and public monuments played a crucial role in Late Antiquity. These structures, like the , showcased imperial power through , narrative reliefs, and repurposed artwork called .
Emperors used these monuments as propaganda tools, depicting military victories and generous acts. Techniques like and in reliefs helped tell stories and highlight important figures, reinforcing the emperor's authority and achievements.
Triumphal Arches and Imperial Propaganda
Arch of Constantine and Spolia
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The Arch of Constantine, dedicated in 315 CE, is a triumphal arch in Rome that commemorates Constantine's victory over Maxentius at the Battle of Milvian Bridge in 312 CE
Incorporates spolia, which is the reuse of earlier building material or decorative elements in new monuments
The arch features reliefs and sculptures taken from monuments dedicated to Trajan, Hadrian, and Marcus Aurelius, repurposed to celebrate Constantine's reign
The use of spolia in the Arch of Constantine demonstrates the practice of recycling and reinterpreting earlier imperial imagery to legitimize the current ruler
Triumphal Arches as Imperial Propaganda
Triumphal arches were erected to commemorate significant military victories and to honor the emperor responsible for the triumph
Served as a form of imperial propaganda, promoting the power, achievements, and legitimacy of the emperor
Often featured reliefs depicting scenes of military conquests, processions, and ceremonies
Examples of other famous triumphal arches include the (c. 81 CE) and the (203 CE) in Rome
Adventus and Largitio Scenes
Triumphal arches often depicted scenes, which represent the emperor's ceremonial entry into a city
These scenes emphasize the emperor's role as a victorious leader and the celebration of his arrival
scenes, also found on triumphal arches, depict the emperor distributing gifts or money to the people
Largitio scenes highlight the emperor's generosity and his role as a benefactor to his subjects, reinforcing his popularity and support among the populace
Narrative Relief Techniques
Continuous Narrative in Roman Art
is a sculptural technique that tells a story or depicts a sequence of events through a series of images
Continuous narrative is a method of visual storytelling where a single scene contains multiple stages of a story, often with the same figures repeated in different positions
This technique allows the viewer to follow the progression of a narrative within a single composition
An example of continuous narrative can be seen on (c. 113 CE), which depicts the emperor's military campaigns in Dacia
Hieratic Scale in Roman Relief Sculpture
Hieratic scale is a technique used in ancient art where the size of figures is determined by their social or political importance rather than their distance from the viewer
In Roman relief sculpture, the emperor and other important figures are often depicted as larger than the surrounding figures, emphasizing their significance
This technique is used to convey the power dynamics and social hierarchy within the composition
The use of hieratic scale can be observed in various Roman relief sculptures, such as the (Altar of Augustan Peace, 13-9 BCE) and the (c. 193 CE)
Imperial Columns
Column of Arcadius
The , also known as the Arcadian Column, was a triumphal column erected in Constantinople (modern-day Istanbul) in honor of the Eastern Roman Emperor Arcadius (r. 395-408 CE)
The column was built in the early 5th century CE and was likely modeled after Trajan's Column in Rome
It featured a spiral relief depicting Arcadius' victories and achievements, although the column itself no longer survives
The Column of Arcadius demonstrates the continuation of the tradition of erecting triumphal columns in the Eastern Roman Empire, even as the Western Roman Empire was in decline
Triumphal Columns as Monuments to Imperial Power
, such as Trajan's Column and the Column of Marcus Aurelius in Rome, were erected to commemorate the military victories and achievements of Roman emperors
These columns featured elaborate spiral reliefs that narrated the events of the emperor's campaigns, serving as a form of visual propaganda
The columns were often topped with a statue of the emperor, further emphasizing their power and authority
The erection of triumphal columns in prominent locations within cities served to remind the populace of the emperor's successes and reinforce their legitimacy as rulers