Pattachitra painting, originating in Odisha, India, is a vibrant folk art tradition with centuries of history. Known for its bold outlines, vivid colors, and intricate details, Pattachitra often depicts Hindu mythology and religious themes on cloth canvases.
This traditional art form is closely tied to Odia culture and religious practices, particularly those associated with the Jagannath Temple in Puri. Pattachitra artists, known as patuas, use natural pigments and follow unique stylistic conventions to create these stunning visual narratives.
Origins of Pattachitra painting
Pattachitra is a traditional form of painting that originated in the eastern Indian state of Odisha
It is one of the oldest and most renowned forms of folk art in India, with a history spanning several centuries
The name "Pattachitra" is derived from the Sanskrit words "patta" meaning cloth and "chitra" meaning picture, reflecting the traditional use of cloth as a canvas for these paintings
Pattachitra vs other Indian folk art
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Pattachitra Painting | Mike Prince | Flickr View original
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Pattachitra Painting | Mike Prince | Flickr View original
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Pattachitra Painting | Mike Prince | Flickr View original
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Pattachitra Painting | Mike Prince | Flickr View original
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Pattachitra Painting | Mike Prince | Flickr View original
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Top images from around the web for Pattachitra vs other Indian folk art
Pattachitra Painting | Mike Prince | Flickr View original
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Pattachitra Painting | Mike Prince | Flickr View original
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Pattachitra Painting | Mike Prince | Flickr View original
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Pattachitra Painting | Mike Prince | Flickr View original
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Pattachitra Painting | Mike Prince | Flickr View original
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Pattachitra is distinct from other Indian folk art styles such as Madhubani, Warli, and Kalamkari
It is characterized by its use of bold outlines, vivid colors, and intricate details, which set it apart from the simpler, more minimalistic styles of some other folk art traditions
Pattachitra often depicts religious and mythological themes, particularly those associated with Hinduism, whereas other folk art styles may focus on different subjects or have more secular themes
Geographic roots in Odisha
Pattachitra painting has its roots in the coastal regions of Odisha, particularly in the areas surrounding the famous Jagannath Temple in Puri
The art form is closely tied to the culture and traditions of Odisha, and many of the themes and motifs in Pattachitra are specific to the region
Pattachitra has also spread to other parts of Odisha and beyond, but it remains most strongly associated with its place of origin
Distinctive style of Pattachitra
Vivid colors and bold outlines
One of the most striking features of Pattachitra painting is its use of bright, vibrant colors
The colors are often derived from natural sources such as minerals, plants, and even shells
Common colors include red, yellow, blue, green, and black
The paintings are characterized by bold, black outlines that define the forms and shapes of the figures and objects depicted
These outlines are typically drawn using a fine brush made from the hair of a buffalo's tail
Intricate details and patterns
Despite the bold outlines, Pattachitra paintings are also known for their intricate details and patterns
The clothing and jewelry of the figures are often adorned with elaborate designs and motifs
These may include floral patterns, geometric shapes, and stylized representations of animals or mythical creatures
The backgrounds of the paintings are also frequently filled with detailed patterns and designs, creating a rich and complex visual tapestry
Influence of religious iconography
Many of the stylistic elements of Pattachitra painting are derived from traditional Hindu religious iconography
The figures in the paintings are often depicted with large, almond-shaped eyes, similar to those seen in Hindu temple sculptures and other religious artwork
The use of bright colors and intricate patterns is also reminiscent of the decorative elements found in Hindu temples and religious texts
Traditional Pattachitra themes
Depictions of Hindu mythology
A significant portion of Pattachitra paintings depict scenes and characters from Hindu mythology
These may include stories from the great Hindu epics, such as the Ramayana and the Mahabharata
For example, a Pattachitra painting might depict the battle between Rama and Ravana, or the marriage of Shiva and Parvati
Other mythological themes may include the exploits of various Hindu gods and goddesses, such as Krishna, Durga, or Ganesha
Jagannath and Vaishnava motifs
Given the close association between Pattachitra and the Jagannath Temple in Puri, many paintings feature themes related to Lord Jagannath and the Vaishnava tradition of Hinduism
Depictions of the annual Rath Yatra festival, in which large chariots bearing the idols of Jagannath, Balabhadra, and Subhadra are pulled through the streets, are particularly common
Other Vaishnava motifs, such as the depiction of Krishna and Radha or the ten avatars of Vishnu, are also frequently seen in Pattachitra paintings
Scenes from epics and folklore
In addition to mythological themes, Pattachitra paintings may also depict scenes from regional epics and folktales
These may include stories from the Odia epic "Lakshmi Purana" or popular folktales such as "Tapoi" and "Kanchikala"
These paintings often serve as a means of preserving and transmitting these traditional stories to younger generations
Pattachitra painting techniques
Preparation of patta canvas
The traditional canvas for Pattachitra painting is a piece of cloth known as a patta
The patta is typically made from cotton or silk and is treated with a mixture of chalk and gum to create a smooth, durable surface for painting
This process can take several days, as multiple layers of the mixture are applied and allowed to dry
Once the patta is prepared, it is cut to the desired size and shape for the painting
Natural dyes and pigments
The colors used in Pattachitra painting are traditionally derived from natural sources
These may include minerals such as ochre and cinnabar, plant extracts such as indigo and turmeric, and even shells and stones
For example, the vibrant red color often seen in Pattachitra is derived from the gum of the Kaitha tree
The pigments are ground into a fine powder and mixed with a binder, such as gum arabic or tamarind seed, to create a paint that can be applied to the patta
Unique stylistic conventions
Pattachitra painting follows a set of unique stylistic conventions that distinguish it from other forms of Indian art
One of these conventions is the use of a "double-lined" technique, in which the outlines of figures and objects are drawn twice, with the space between the lines filled in with color
Another convention is the use of "reverse perspective," in which objects that are farther away are depicted as larger than those that are closer to the viewer
This creates a sense of depth and dimensionality in the painting
Social context of Pattachitra
Pattachitra in religious rituals
Pattachitra paintings play an important role in various religious rituals and ceremonies in Odisha
During the annual Rath Yatra festival, for example, Pattachitra paintings depicting the Jagannath, Balabhadra, and Subhadra are displayed on the chariots and in temples
Pattachitra paintings are also used in other religious contexts, such as in the decoration of temple walls and in the performance of religious dramas and dances
Patuas: Pattachitra artist communities
The creation of Pattachitra paintings is a skill that is passed down through generations in specific artist communities known as patuas
Patuas are typically members of the Chitrakara caste, a community that has traditionally been associated with the creation of religious art and artifacts
Patua communities are often centered around villages or temples, where they work together to create Pattachitra paintings and other forms of religious art
Pattachitra in Odia culture
Beyond its religious significance, Pattachitra painting is also an important part of Odia culture and identity
The themes and stories depicted in Pattachitra paintings are deeply rooted in Odia history, literature, and folklore
Pattachitra paintings are often used to decorate homes and public spaces, and they are also given as gifts to mark important occasions such as weddings and religious festivals
Evolution of Pattachitra style
Impact of British colonialism
Like many other forms of Indian art, Pattachitra painting was influenced by the period of British colonial rule in India
The introduction of new materials and techniques, such as the use of watercolors and paper, led to some changes in the traditional style of Pattachitra
However, many patuas resisted these changes and continued to use traditional methods and materials, helping to preserve the unique character of the art form
Pattachitra in modern times
In recent years, there has been a growing interest in Pattachitra painting both within India and internationally
Many contemporary Pattachitra artists have begun to experiment with new themes and styles, while still maintaining the traditional techniques and aesthetic of the art form
For example, some artists have begun to create Pattachitra paintings that depict modern social and political issues, or that incorporate elements of contemporary art and design
There have also been efforts to promote and preserve the art form through workshops, exhibitions, and other cultural initiatives
Pattachitra as cultural heritage
Today, Pattachitra painting is recognized as an important part of India's cultural heritage
In 2000, the Indian government awarded Pattachitra painting the status of a "National Handicraft," recognizing its significance as a traditional art form
Efforts are being made to support and promote the Pattachitra artist community, and to ensure that this unique and vibrant art form continues to thrive for generations to come