8.2 Feminism and gender roles in Jane Eyre and Wuthering Heights
3 min read•august 6, 2024
The Brontë sisters' novels challenge Victorian gender norms through proto-feminist themes. Jane Eyre and Wuthering Heights feature strong female characters who assert their and question on women's roles and opportunities.
These works explore the of on women. They critique the "" ideal, presenting who defy expectations and resist patriarchal authority, highlighting the importance of autonomy and .
Proto-feminist Themes
Early Expressions of Feminism
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refers to early expressions of feminist thought and advocacy for women's rights before the modern feminist movement
is a central theme, with characters like Jane Eyre and Catherine Earnshaw asserting their independence and in a male-dominated society
Gender inequality is highlighted through the limited opportunities and societal constraints faced by female characters (Jane's struggles as a governess, Catherine's confinement to the )
and employment are presented as means for women to gain independence and challenge traditional gender roles (Jane's role as a governess, her time at Lowood School)
Challenging Traditional Gender Norms
The novels question and subvert traditional gender norms and expectations of the
Female characters resist conforming to societal pressures and expectations of femininity
The works explore the psychological and emotional impact of gender inequality on women (Jane's inner turmoil, Catherine's rebelliousness)
The authors critique the limitations placed on women's intellectual and personal growth due to restricted access to education and employment opportunities
Gender Roles and Expectations
The Ideal Victorian Woman
The 'Angel in the House' refers to the idealized image of the perfect Victorian woman: submissive, pure, and devoted to domestic duties
Patriarchal society reinforces and female subordination, limiting women's roles and opportunities (Mr. Rochester's authority over Jane, Heathcliff's control over Catherine)
The domestic sphere is presented as the primary domain for women, with characters like Jane and Catherine struggling to find fulfillment beyond the household
The (Bertha Mason) symbolizes the repressed and marginalized aspects of female in a patriarchal society
Subverting Gender Expectations
The novels challenge the notion of the 'Angel in the House' by presenting complex, multidimensional female characters who defy societal norms
Female characters resist and subvert patriarchal authority and expectations (Jane's defiance of Mr. Rochester, Catherine's unconventional behavior)
The works explore the psychological and emotional toll of conforming to restrictive gender roles (Jane's inner struggles, Catherine's mental decline)
The madwoman in the attic also represents the consequences of repressing female agency and individuality in a male-dominated society
Women's Journey and Development
Female Bildungsroman
The follows the psychological and moral growth of the female protagonist from youth to adulthood
Jane Eyre and Catherine Earnshaw's journeys of and personal development are central to the novels
The works explore the challenges and obstacles faced by women in their quest for identity and autonomy (Jane's struggles as an orphan and governess, Catherine's conflicting desires)
The female bildungsroman highlights the importance of education, experience, and self-knowledge in the development of female identity
Marriage and Social Mobility
Marriage is presented as a means for women to gain social status and financial security in Victorian society (Jane's marriage to Mr. Rochester, Catherine's marriage to Edgar Linton)
The novels critique the societal pressure on women to marry for social and economic reasons rather than love and compatibility
The works explore the limitations and challenges faced by women in their pursuit of through marriage (Jane's initial subordinate position to Mr. Rochester, Catherine's unhappy marriage to Edgar)
The authors challenge the notion of marriage as the ultimate goal and fulfillment for women, emphasizing the importance of personal growth and independence (Jane's decision to leave Mr. Rochester, Catherine's internal conflict between love and social expectations)