🏛️Curatorial Studies Unit 13 – Digital Curation and New Media

Digital curation and new media are transforming how we preserve and present cultural assets. This unit explores the challenges of managing digital content, from interactive installations to net art, and how curators must adapt their skills for the digital age. Key concepts include digital preservation, metadata management, and interoperability. The unit covers tools and strategies for effectively curating digital collections, highlighting real-world applications in museums and galleries, and discussing future trends shaping the field.

What's This Unit About?

  • Explores the intersection of digital technologies and curatorial practices in the context of preserving and presenting digital assets
  • Focuses on the unique challenges and opportunities presented by curating digital content and new media artworks
  • Examines the role of the curator in the digital age and how traditional curatorial skills must adapt to the rapidly evolving digital landscape
  • Covers key concepts, tools, and strategies for effectively managing and showcasing digital collections
  • Highlights real-world applications of digital curation in museums, galleries, and other cultural institutions
  • Discusses future trends and emerging technologies that will shape the field of digital curation in the coming years

Key Concepts and Definitions

  • Digital curation: The active management and preservation of digital assets throughout their lifecycle to ensure long-term accessibility and usability
  • New media: Artworks and cultural artifacts that are created, stored, and experienced using digital technologies (interactive installations, net art, virtual reality)
  • Metadata: Structured data that describes and provides context for digital objects, enabling their discovery, management, and preservation
    • Descriptive metadata: Provides information about the content and context of a digital object (title, creator, date, subject)
    • Administrative metadata: Documents the technical and management aspects of a digital object (file format, rights, preservation actions)
  • Digital preservation: The process of maintaining the accessibility, authenticity, and integrity of digital objects over time, despite changes in technology and storage media
  • Interoperability: The ability of different systems and software to exchange and use information seamlessly, ensuring that digital assets can be accessed and shared across platforms

Digital Curation Basics

  • Digital curation encompasses the entire lifecycle of digital objects, from creation and acquisition to long-term preservation and access
  • Involves a range of activities, including selection, appraisal, description, storage, preservation, and dissemination of digital assets
  • Requires a combination of technical skills, curatorial expertise, and knowledge of legal and ethical issues surrounding digital content
  • Aims to ensure that digital assets remain accessible, usable, and meaningful for current and future audiences
  • Involves collaboration among curators, archivists, librarians, IT professionals, and other stakeholders to develop and implement effective digital curation strategies
  • Requires ongoing monitoring and management of digital collections to address evolving technologies, standards, and user needs

New Media Types and Characteristics

  • Digital art: Artworks created using digital tools and technologies (computer-generated images, digital paintings, algorithmic art)
    • Often interactive, immersive, and dynamic, requiring specialized curation and preservation approaches
  • Net art: Artworks that are created and experienced online, using the internet as a medium and platform (web-based installations, browser-based art)
    • Poses challenges for traditional modes of exhibition and collection due to their ephemeral and networked nature
  • Virtual and augmented reality: Immersive digital environments that blur the line between the physical and virtual worlds (VR installations, AR overlays)
    • Require specialized hardware and software for display and interaction, as well as considerations for user experience and accessibility
  • Generative art: Artworks that are created using algorithms, software, or other automated processes (procedural animations, data-driven visualizations)
    • Often dynamic and variable, requiring flexible approaches to documentation and preservation
  • Interactive installations: Physical or virtual environments that respond to user input or engagement (sensor-based artworks, participatory installations)
    • Pose challenges for traditional modes of exhibition and collection due to their interactive and experiential nature

Tools and Technologies

  • Digital asset management systems (DAMS): Software platforms that enable the storage, organization, and retrieval of digital objects and their associated metadata (Collective Access, ResourceSpace)
  • Digital preservation tools: Applications and services that support the long-term maintenance and accessibility of digital assets (Archivematica, Preservica)
  • Metadata standards: Established frameworks for describing and structuring metadata to ensure consistency and interoperability across systems (Dublin Core, PREMIS)
  • Web archiving tools: Applications and services that enable the capture, preservation, and replay of web-based content (Archive-It, Webrecorder)
  • Virtual exhibition platforms: Software and tools that enable the creation and presentation of online exhibitions and digital collections (Omeka, Google Arts & Culture)
  • 3D scanning and modeling: Technologies that enable the capture and representation of physical objects in digital form for preservation and access (photogrammetry, laser scanning)

Challenges in Digital Curation

  • Rapid technological obsolescence: The constant evolution of hardware, software, and file formats can render digital assets inaccessible or unreadable over time
    • Requires proactive migration and emulation strategies to ensure long-term accessibility
  • Copyright and intellectual property: The complex legal landscape surrounding digital content can pose challenges for curation, access, and reuse
    • Requires careful consideration of rights management and licensing issues
  • Authenticity and integrity: Ensuring that digital assets remain authentic and uncorrupted over time, despite changes in technology and storage media
    • Requires robust digital preservation strategies and documentation of provenance
  • Metadata creation and management: The labor-intensive process of creating and maintaining accurate, consistent, and comprehensive metadata for digital objects
    • Requires dedicated resources and expertise, as well as adherence to established standards and best practices
  • Long-term sustainability: Ensuring the ongoing availability and usability of digital collections in the face of changing institutional priorities, funding models, and user needs
    • Requires strategic planning, resource allocation, and collaboration among stakeholders

Best Practices and Strategies

  • Develop and implement a comprehensive digital curation policy that outlines goals, responsibilities, and procedures for managing digital collections
  • Adopt and adhere to established metadata standards and best practices to ensure consistency, interoperability, and long-term accessibility of digital assets
  • Implement a robust digital preservation strategy that includes regular monitoring, migration, and emulation of digital objects to address technological obsolescence
  • Collaborate with stakeholders, including artists, rights holders, and user communities, to develop sustainable approaches to curation, access, and reuse of digital content
  • Invest in professional development and training for staff to ensure they have the necessary skills and knowledge to effectively manage and preserve digital collections
  • Regularly assess and update digital curation practices and technologies to ensure they remain aligned with evolving standards, user needs, and institutional priorities

Real-World Applications

  • Museum of Modern Art (MoMA) in New York has established a comprehensive digital conservation program to preserve and provide access to its growing collection of digital artworks
  • The National Library of Australia has implemented a web archiving program to capture and preserve Australian websites and online content for future generations
  • The Tate in London has developed a digital asset management system to support the curation, research, and dissemination of its extensive collection of digital artworks and documentation
  • The Smithsonian Institution has launched a 3D digitization program to capture and share its vast collection of physical objects and specimens online
  • The Rhizome ArtBase is an online archive of net art and digital artworks that employs a range of curation and preservation strategies to ensure long-term access and engagement
  • Increased use of artificial intelligence and machine learning techniques for automating metadata creation, content analysis, and preservation decision-making
  • Growing adoption of decentralized technologies, such as blockchain, for documenting provenance, authenticating digital assets, and enabling new models of ownership and access
  • Emergence of new immersive and experiential technologies, such as virtual and augmented reality, that will require innovative approaches to curation, preservation, and display
  • Expansion of collaborative and networked approaches to digital curation, involving partnerships among institutions, communities, and technology providers
  • Greater emphasis on ethical and inclusive practices in digital curation, addressing issues of diversity, accessibility, and cultural sensitivity in the selection, representation, and interpretation of digital collections


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© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.