🎥Intro to Film Theory Unit 5 – Narratology in Film Storytelling

What's Narratology?

• Narratology studies the structure, function, and meaning of narratives across various media, including literature, film, and other forms of storytelling
• Focuses on the underlying patterns, conventions, and techniques used to construct and convey stories effectively
• Examines the relationship between the story (the chronological sequence of events) and the discourse (how the story is presented to the audience)
• Analyzes the role of characters, their actions, and their relationships within the narrative framework
• Investigates the use of point of view, narrative voice, and focalization in shaping the audience's perception and understanding of the story
• Explores the manipulation of time and space within narratives, such as flashbacks, flash-forwards, and parallel storylines
• Considers the impact of cultural, historical, and social contexts on the creation and interpretation of narratives

Key Concepts in Film Narratology

• Diegesis refers to the fictional world created by the narrative, including all the events, characters, and settings that exist within the story
• Mimesis is the imitation or representation of reality through artistic means, such as the portrayal of characters and events in a film
• Fabula represents the chronological sequence of events in a story, while syuzhet refers to the way these events are arranged and presented in the narrative discourse
• Narrative causality explores the cause-and-effect relationships between events in a story, linking actions and their consequences
• Narrative closure is the sense of resolution or completion at the end of a story, providing a satisfying conclusion to the narrative arc
• Narrative gaps are the omissions or ellipses in a story that require the audience to fill in the missing information based on their understanding of the narrative context
• Narrative immersion describes the audience's emotional and cognitive engagement with the story, allowing them to become absorbed in the fictional world

Story vs. Plot: What's the Difference?

• Story refers to the chronological sequence of events that take place within the narrative, including all the actions, characters, and settings involved
  • Represents the raw material of the narrative, the "what happens" of the story
  • Exists independently of how it is told or presented to the audience
• Plot, on the other hand, is the way the story is structured, organized, and presented to the audience through the narrative discourse
  • Involves the selection, arrangement, and emphasis of story elements to create a specific effect or convey a particular meaning
  • May include techniques such as flashbacks, flash-forwards, parallel storylines, and withholding information to create suspense or surprise
• The relationship between story and plot is crucial in shaping the audience's experience and understanding of the narrative
  • The plot can rearrange the chronological order of events, omit certain details, or emphasize specific aspects of the story to guide the audience's interpretation
  • The way the plot presents the story can influence the audience's emotional response, engagement, and overall perception of the narrative

Narrative Structure in Film

• The three-act structure is a common narrative framework in film, dividing the story into setup, confrontation, and resolution
  • Act I introduces the characters, establishes the setting, and presents the inciting incident that sets the story in motion
  • Act II focuses on the protagonist's attempts to overcome obstacles and achieve their goal, often leading to a midpoint crisis or reversal
  • Act III features the climax, where the protagonist faces the ultimate challenge, followed by the resolution of the story's conflicts
• The hero's journey is another popular narrative structure, outlining the archetypal stages a protagonist goes through in their transformative quest
  • Stages include the call to adventure, crossing the threshold, facing trials and challenges, experiencing a revelation or transformation, and returning home changed
• Non-linear narratives deviate from the chronological order of events, using techniques such as flashbacks, flash-forwards, or fragmented storytelling
  • Can create mystery, suspense, or gradually reveal information to the audience, encouraging active engagement in piecing together the story
• Episodic narratives consist of self-contained stories or subplots that are loosely connected by a common theme, setting, or group of characters
  • Often found in television series, anthology films, or interconnected film franchises (Marvel Cinematic Universe)
• Experimental narratives challenge traditional storytelling conventions, often prioritizing mood, theme, or visual expression over a coherent plot
  • May employ unconventional techniques such as non-linear editing, surreal imagery, or abstract storytelling to convey a unique artistic vision

Character Functions and Archetypes

• Protagonist is the main character of the story, often driving the narrative forward through their actions, decisions, and emotional journey
  • Typically undergoes a transformative arc, learning and growing throughout the course of the story
  • Can be a hero, an antihero, or a more complex, morally ambiguous character
• Antagonist is the character or force that opposes the protagonist, creating conflict and obstacles in the story
  • May be a villain with malevolent intentions, a rival with competing goals, or a more abstract force such as society, nature, or internal struggles
• Mentor is a wise, experienced character who guides and advises the protagonist, often providing them with knowledge, skills, or emotional support
  • Examples include Obi-Wan Kenobi in "Star Wars" or Morpheus in "The Matrix"
• Sidekick is a loyal companion who supports and assists the protagonist, often providing comic relief, emotional support, or complementary skills
  • Examples include Robin in the Batman franchise or Samwise Gamgee in "The Lord of the Rings"
• Shapeshifter is a character whose loyalty, motives, or identity are uncertain or subject to change, creating tension and unpredictability in the story
  • May switch sides, reveal hidden agendas, or undergo significant transformations throughout the narrative
• Herald is a character who brings news, information, or a call to action that propels the protagonist into the main conflict of the story
  • Often appears early in the narrative to set the story in motion and establish the stakes for the protagonist
• Trickster is a mischievous, unpredictable character who challenges the status quo, often through humor, deception, or unconventional methods
  • Can serve as a catalyst for change, a source of chaos, or a means of exposing the flaws and contradictions in the story world

Point of View and Narration

• Point of view refers to the perspective from which the story is told, influencing the audience's understanding and emotional connection to the characters and events
• First-person narration presents the story through the eyes of a single character, using "I" or "we" to convey their thoughts, feelings, and experiences
  • Allows for a more intimate and subjective portrayal of events, but may also be limited or unreliable due to the narrator's biases or incomplete knowledge
• Third-person narration tells the story from an external perspective, using "he," "she," or "they" to describe the characters and events
  • Can be omniscient, with the narrator having access to all characters' thoughts and feelings, or limited, focusing on a single character's perspective
• Objective narration presents the story without revealing the characters' inner thoughts or emotions, focusing solely on observable actions and dialogue
  • Creates a sense of detachment or neutrality, allowing the audience to interpret events and character motivations based on external evidence
• Unreliable narration occurs when the narrator's account of events is questionable, incomplete, or contradictory, challenging the audience's trust and interpretation
  • Can be used to create mystery, ambiguity, or surprise revelations, as the audience discovers the discrepancies between the narrator's version and the truth
• Voice-over narration is the use of a narrator's voice, often a character within the story, to provide commentary, reflection, or exposition
  • Can help to convey a character's inner thoughts, bridge gaps in time or space, or provide a framing device for the narrative
• Subjective camera techniques, such as point-of-view shots or first-person camera angles, can be used to align the audience's perspective with a specific character
  • Creates a sense of identification or empathy with the character, allowing the audience to experience events through their eyes

Time and Space in Film Narratives

• Chronological time refers to the linear progression of events in the story, following the cause-and-effect relationship between actions and their consequences
  • Can be manipulated through techniques such as flashbacks, flash-forwards, or parallel storylines to create a more complex or engaging narrative structure
• Screen time is the actual duration of the film or the time it takes for the audience to watch the story unfold
  • Can be compressed or expanded relative to the story time, using techniques such as montage, ellipsis, or slow motion to control the pacing and emphasis of events
• Temporal ordering is the arrangement of events in the plot, which may deviate from the chronological order of the story
  • Non-linear narratives, such as those employing flashbacks or fragmented storytelling, can create mystery, suspense, or gradually reveal information to the audience
• Narrative duration refers to the relationship between the time an event takes in the story and the time it takes to depict that event on screen
  • Techniques such as slow motion, time-lapse, or real-time depiction can be used to emphasize or compress the perceived duration of events
• Narrative frequency is the number of times an event is depicted or referenced in the plot compared to the number of times it occurs in the story
  • Repetition, multiple perspectives, or revisiting events can be used to emphasize their significance, reveal new information, or create a sense of déjà vu
• Diegetic space is the physical and spatial environment within the story world, including locations, settings, and the arrangement of elements within the frame
  • Can be used to convey mood, atmosphere, or symbolic meaning, as well as to establish relationships between characters and their surroundings
• Non-diegetic space refers to elements that exist outside the story world, such as the use of split screens, onscreen text, or graphic overlays
  • Can be used to provide additional information, create visual interest, or comment on the story from an external perspective

Applying Narratology to Film Analysis

• Identify the key elements of the story, including the characters, events, and settings, and examine how they are presented and developed throughout the narrative
  • Consider the protagonist's journey, the obstacles they face, and the transformative arc they undergo
  • Analyze the role and function of supporting characters, such as the antagonist, mentor, or sidekick, in relation to the protagonist and the overall story
• Examine the plot structure and how it arranges and presents the story events to the audience
  • Identify the inciting incident, rising action, climax, and resolution, and consider how they contribute to the narrative's pacing, tension, and emotional impact
  • Look for patterns, parallels, or deviations from traditional narrative structures, such as the three-act structure or the hero's journey
• Analyze the use of point of view and narration in shaping the audience's understanding and emotional connection to the story
  • Consider how the choice of first-person, third-person, or objective narration influences the audience's perception of characters and events
  • Identify instances of unreliable narration or subjective camera techniques and examine their impact on the story's meaning and audience engagement
• Explore the manipulation of time and space within the narrative, and how it affects the audience's experience and interpretation of the story
  • Examine the use of chronological time, screen time, and temporal ordering, and how they contribute to the story's pacing, structure, and emotional resonance
  • Analyze the depiction of diegetic space and how it reflects or influences the characters, themes, and mood of the narrative
• Consider the broader cultural, historical, and social contexts in which the film was produced and how they may influence the narrative's themes, representations, and reception
  • Examine how the film's narrative reflects, challenges, or subverts prevailing cultural norms, values, or ideologies
  • Analyze how the narrative's structure, characters, and themes may resonate differently with audiences from diverse backgrounds and experiences
• Synthesize the various elements of narratology to develop a comprehensive understanding of the film's storytelling techniques, themes, and overall impact
  • Identify the key strengths and weaknesses of the narrative, and how they contribute to or detract from the film's effectiveness in engaging and communicating with the audience
  • Formulate a clear, well-supported argument about the film's narrative structure, techniques, and meaning, drawing on specific examples and evidence from the film itself