Russian Formalism emerged in early 20th century Russia, challenging traditional literary theories. It sought a scientific approach to literary analysis, focusing on intrinsic properties of texts rather than external factors.
Key figures like Shklovsky, Jakobson, and Eichenbaum developed concepts like and . These ideas emphasized formal aspects of literature and the unique features that distinguish literary language from everyday communication.
Historical Context and Key Figures of Russian Formalism
Context of Russian Formalism
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Emerged in Russia during the early 20th century, primarily between 1910 and 1930, a period marked by significant political and social changes
Developed in response to the literary theories of the time, such as Symbolism and Impressionism, which focused on the subjective and emotional aspects of literature
Influenced by the political and social upheavals of the (1917) and the early Soviet era, which led to a reevaluation of traditional cultural and artistic values
Sought to establish a more scientific and objective approach to literary analysis, emphasizing the intrinsic properties of literary texts rather than external factors
Key figures in Russian Formalism
Introduced the concept of "defamiliarization" or "estrangement" (ostranenie), which involves presenting familiar things in a strange or unfamiliar way to renew the reader's perception
Emphasized the importance of literary devices and techniques (, ) in creating the artistic effect of a work
Developed the concept of the "dominant," referring to the primary or overriding feature that organizes and subordinates other elements in a literary work
Contributed to the study of linguistics and its application to literature, exploring the structural and functional aspects of language in literary texts
Focused on the concept of "literariness," the specific features that distinguish literary language from everyday language, such as rhythm, sound patterns, and figurative language
Analyzed the role of rhythm and syntax in creating literary effects, particularly in poetry and prose
Introduced the idea of "," emphasizing the dynamic nature of literary systems and the interaction between literary works and their historical and cultural contexts
Studied the relationship between literature and other cultural and social systems (art, politics), exploring how they influence and shape each other
Central Tenets and Concepts
Central tenets of Russian Formalism
Emphasis on the formal aspects of literature, such as structure, language, and literary devices (plot, characterization, point of view), as the primary focus of literary analysis
Rejection of biographical, psychological, and sociological approaches to literary analysis, which were seen as irrelevant to the understanding of the literary work itself
Focus on the "literariness" of a work, or the specific features that make it a work of art, distinct from other forms of writing or communication
Aim to develop a scientific and objective approach to the study of literature, based on close reading and analysis of the text itself
Interest in the autonomous nature of literary language and its distinction from everyday language, exploring how literary language creates meaning and aesthetic effects
Defamiliarization in Formalist thought
Defamiliarization (ostranenie) is a key concept introduced by Victor Shklovsky, referring to the technique of presenting familiar things in a strange or unfamiliar way
The purpose of defamiliarization is to disrupt the reader's automatic perception and force them to see the object or idea anew, as if encountering it for the first time
By making the familiar seem strange, defamiliarization draws attention to the artistic and constructed nature of the literary work, highlighting its unique features and effects
This concept highlights the role of literature in renewing and refreshing our perception of the world, challenging our habitual ways of seeing and understanding
Defamiliarization is achieved through various literary devices, such as:
Unusual imagery (surreal or absurd descriptions)
Unconventional syntax (fragmentary or disjointed sentences)
Unexpected plot developments (non-linear narratives or surprising twists)
Examples of defamiliarization in literature include:
The opening line of Leo Tolstoy's "Anna Karenina": "Happy families are all alike; every unhappy family is unhappy in its own way"
The stream-of-consciousness technique in James Joyce's "Ulysses," which presents the characters' thoughts and perceptions in a disjointed and unconventional manner