Shot types in cinematography shape how stories are told visually. Each type, from close-ups to wide shots, influences audience emotions and understanding. These techniques create connections, establish context, and enhance storytelling, making them essential in screen language.
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Close-up (CU)
- Focuses tightly on a subject, often a face or an object.
- Conveys emotions and reactions effectively.
- Creates intimacy and connection with the audience.
- Highlights details that may be missed in wider shots.
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Medium shot (MS)
- Frames the subject from the waist up.
- Balances the subject and their surroundings.
- Useful for dialogue scenes, allowing for body language and facial expressions.
- Maintains a sense of context while keeping the focus on the subject.
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Long shot (LS)
- Shows the subject from a distance, often including the environment.
- Establishes the setting and context of the scene.
- Can depict the scale and relationship between characters and their surroundings.
- Useful for action sequences or to show movement.
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Extreme close-up (ECU)
- Focuses on a very small detail, such as an eye or a hand.
- Intensifies emotional impact and draws attention to specific elements.
- Often used for dramatic effect or to create tension.
- Can reveal hidden meanings or foreshadow events.
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Wide shot (WS)
- Captures a large area, often including multiple subjects and their environment.
- Provides a comprehensive view of the scene.
- Useful for establishing the geography of a location.
- Can convey a sense of isolation or vastness.
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Over-the-shoulder shot (OTS)
- Frames a subject from behind another character's shoulder.
- Creates a sense of perspective and intimacy in conversations.
- Helps to establish relationships between characters.
- Often used in dialogue scenes to show reactions.
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Point-of-view shot (POV)
- Represents the perspective of a character, showing what they see.
- Engages the audience by placing them in the character's shoes.
- Can enhance emotional connection and understanding of character motivations.
- Often used to create suspense or reveal information.
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Two-shot
- Frames two subjects in a single shot, often in conversation.
- Highlights the relationship and dynamics between characters.
- Useful for establishing connections and interactions.
- Can vary in distance, from close-ups to medium shots.
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Establishing shot
- Typically a wide shot that sets the scene for the audience.
- Provides context about the location and time of the story.
- Often used at the beginning of a scene or sequence.
- Helps to orient the viewer before focusing on specific characters.
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Insert shot
- A close-up of a specific detail or object within a scene.
- Draws attention to important elements that may be overlooked.
- Can provide context or foreshadow events.
- Enhances storytelling by adding layers of meaning.