📜English Literature – Before 1670 Unit 7 – Sonnets and Lyric Poetry in English Lit
Sonnets and lyric poetry are cornerstones of English literature, offering a window into the emotions and thoughts of poets across centuries. These forms showcase the power of language to express love, nature, and the human experience through structured verse and vivid imagery.
From Petrarch to Shakespeare, poets have used sonnets and lyric poetry to explore themes of love, mortality, and spirituality. The enduring popularity of these forms speaks to their ability to capture universal human experiences in concise, emotionally resonant ways.
Sonnet: a 14-line poem with a specific rhyme scheme and meter, often expressing themes of love or admiration
Two main types: Petrarchan (Italian) sonnet and Shakespearean (English) sonnet
Lyric poetry: short, non-narrative poems that express personal emotions or thoughts, often accompanied by music
Meter: the rhythmic structure of a poem, determined by the number and arrangement of syllables in each line
Common meters include iambic pentameter (used in sonnets) and tetrameter
Rhyme scheme: the pattern of rhyming words at the end of each line in a poem
Sonnets have specific rhyme schemes, such as ABBAABBA CDECDE (Petrarchan) or ABABCDCDEFEFGG (Shakespearean)
Volta: a shift or turn in the poem's tone, subject, or emotional intensity, often occurring around the 9th line in a sonnet
Conceit: an extended metaphor that compares two seemingly unrelated things, often in an elaborate or surprising way
Blazon: a poetic technique that involves cataloging and praising the individual parts of the beloved's body
Historical Context and Origins
The sonnet form originated in Italy during the 13th century, with the earliest known examples attributed to Giacomo da Lentini
Petrarch, an Italian poet of the 14th century, popularized the sonnet form and established many of its conventions
His sonnets, addressed to a woman named Laura, explored themes of love, desire, and spiritual conflict
The sonnet was introduced to England in the 16th century by Sir Thomas Wyatt and Henry Howard, Earl of Surrey
They adapted the Italian form to suit the English language and poetic tradition
Lyric poetry has its roots in ancient Greece, where poems were often accompanied by the lyre, a stringed instrument
In medieval Europe, lyric poetry was influenced by the troubadour tradition of courtly love and the songs of the French trouvères
The Renaissance saw a resurgence of interest in classical forms and themes, which influenced the development of lyric poetry in England
Structure and Form
Petrarchan (Italian) sonnet: consists of an octave (8 lines) followed by a sestet (6 lines)
Octave rhyme scheme: ABBAABBA
Sestet rhyme scheme: CDECDE or CDCDCD
Volta typically occurs between the octave and sestet
Shakespearean (English) sonnet: consists of three quatrains (4 lines each) followed by a couplet (2 lines)
Rhyme scheme: ABABCDCDEFEFGG
Volta often occurs in the third quatrain or the couplet
Lyric poetry has a more flexible structure compared to sonnets
Can be composed in various forms, such as odes, elegies, and ballads
Often characterized by brevity, emotional intensity, and musical qualities
Sonnets are typically written in iambic pentameter, a meter with five pairs of syllables (iambs) per line
An iamb consists of an unstressed syllable followed by a stressed syllable
Lyric poems may employ different meters, such as iambic tetrameter or trochaic tetrameter, depending on the desired effect
Themes and Motifs
Love and admiration: many sonnets and lyric poems explore the joys, sorrows, and complexities of romantic love
Poets often idealize and praise the beauty and virtues of their beloved
Unrequited love and the pain of separation are common themes
Nature and the seasons: poets use natural imagery to evoke moods, symbolize human experiences, or reflect on the passage of time
Spring is often associated with youth, renewal, and the blossoming of love
Winter may represent old age, death, or emotional coldness
Spirituality and religion: some poets use sonnets and lyric poetry to explore their faith, grapple with religious doubts, or seek divine inspiration
Mortality and the transience of life: poets reflect on the fleeting nature of beauty, youth, and human existence
Carpe diem (seize the day) is a common motif, urging readers to make the most of their limited time on earth
Political and social commentary: poets may use their work to critique societal norms, advocate for change, or celebrate important events or figures
Notable Poets and Works
Sir Philip Sidney: known for his sonnet sequence "Astrophil and Stella" (1591), which explores the poet's unrequited love for a woman
Edmund Spenser: wrote the sonnet sequence "Amoretti" (1595) and the epic poem "The Faerie Queene" (1590-1596)
William Shakespeare: composed 154 sonnets, many of which are addressed to a mysterious "Fair Youth" and a "Dark Lady"
Famous examples include Sonnet 18 ("Shall I compare thee to a summer's day?") and Sonnet 130 ("My mistress' eyes are nothing like the sun")
John Donne: known for his metaphysical poetry, which combines intellectual wit with emotional intensity
Notable works include "The Flea," "The Sun Rising," and "A Valediction: Forbidding Mourning"
Ben Jonson: a contemporary of Shakespeare, known for his lyric poems and masques
Notable works include "To Celia" ("Drink to me only with thine eyes") and "On My First Son"
Robert Herrick: a 17th-century poet known for his short, melodic lyric poems
Famous examples include "To the Virgins, to Make Much of Time" and "Delight in Disorder"
Literary Devices and Techniques
Metaphor: a comparison between two unlike things, stating that one thing is another
Example: "My love is a red, red rose" (Robert Burns)
Simile: a comparison between two unlike things using "like" or "as"
Example: "My love is like a red, red rose" (Robert Burns)
Personification: attributing human qualities or actions to non-human entities
Example: "Busy old fool, unruly Sun, / Why dost thou thus, / Through windows, and through curtains, call on us?" (John Donne)
Hyperbole: an exaggeration used for emphasis or effect
Example: "I love you more than words can wield the matter, / Dearer than eyesight, space, and liberty" (William Shakespeare)
Alliteration: the repetition of initial consonant sounds in a series of words
Example: "When to the sessions of sweet silent thought / I summon up remembrance of things past" (William Shakespeare)
Assonance: the repetition of vowel sounds within words in close proximity
Example: "Thou still unravished bride of quietness, / Thou foster child of silence and slow time" (John Keats)
Enjambment: the continuation of a sentence or phrase from one line to the next without a pause
Example: "Let me not to the marriage of true minds / Admit impediments. Love is not love / Which alters when it alteration finds" (William Shakespeare)
Analysis and Interpretation
Close reading: examining the text in detail, considering the meaning and effect of specific words, phrases, and literary devices
Historical and biographical context: understanding how the poet's life experiences, cultural background, and the social and political climate of their time influenced their work
Thematic analysis: identifying and exploring the central themes and motifs in a poem, and how they contribute to its overall meaning
Structural analysis: examining how the form, meter, and rhyme scheme of a poem shape its content and emotional impact
Comparative analysis: comparing and contrasting different poems or poets to identify similarities, differences, and trends in style, theme, or technique
Psychological and emotional interpretation: considering the emotional states, desires, and conflicts expressed in a poem, and how they reflect universal human experiences
Symbolism and allegory: identifying and interpreting the symbolic or allegorical meanings of images, characters, or events in a poem
Reception and critical responses: examining how a poem has been received and interpreted by different audiences and critics over time, and how these interpretations have evolved or changed
Legacy and Influence
The sonnet form has endured as a popular and influential poetic structure for centuries, inspiring countless poets across different languages and cultures
Shakespeare's sonnets have become some of the most widely recognized and celebrated poems in the English language
They have been adapted, translated, and performed in various media, from stage productions to films and music
The themes and techniques explored in Renaissance sonnets and lyric poetry have shaped the development of poetry in subsequent eras
Romantic poets such as William Wordsworth and John Keats drew inspiration from the emotional intensity and natural imagery of earlier lyric poetry
The metaphysical poets of the 17th century, such as John Donne and George Herbert, expanded upon the intellectual wit and elaborate conceits of earlier sonnets
The influence of Renaissance sonnets and lyric poetry can be seen in the works of modern and contemporary poets, who continue to engage with and subvert traditional forms and themes
Examples include Pablo Neruda's "100 Love Sonnets," Elizabeth Barrett Browning's "Sonnets from the Portuguese," and Seamus Heaney's "Clearances"
The study of sonnets and lyric poetry remains a central part of English literature curricula, providing insight into the evolution of poetic form, language, and human experience over time
The enduring popularity and relevance of these poetic forms testify to their ability to capture and express universal human emotions and experiences that transcend time and culture