shook up modernist architecture in the 1950s. They challenged 's rigid ideas, pushing for designs that prioritized human needs and . Their critique sparked a shift towards more humanistic approaches in architecture.
The outlined Team 10's vision for urban planning. It emphasized creating spaces that foster , moving away from CIAM's strict separation of functions. This paved the way for new movements like and .
Team 10 and CIAM Critique
Formation and Key Members of Team 10
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Alison and Peter Smithsons’ Upper Lawn Pavilion (also known as the “Solar pavilion”), 1959-1962 ... View original
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Team 10 formed in 1953 as a group of younger architects who challenged the prevailing ideas of CIAM (Congrès Internationaux d'Architecture Moderne)
Key members included (British architects known for their New Brutalist style), (Dutch architect who emphasized the importance of place and human experience), and (Dutch architect who advocated for a more organic approach to urban planning)
Other notable members were , , and , who contributed to the group's critique of modernist urban planning principles
Team 10 sought to move beyond the rigid of CIAM and explore new ways of designing cities that prioritized human needs and social interaction
Critique of CIAM and the Doorn Manifesto
CIAM, founded in 1928, promoted the principles of modernist architecture and urban planning, emphasizing functional zoning, standardization, and the separation of land uses
Team 10 criticized CIAM's approach as being too abstract, inflexible, and disconnected from the realities of human life and social interaction
In 1954, Team 10 members met in Doorn, Netherlands, and produced the Doorn Manifesto, which outlined their alternative vision for urban planning and architecture
The manifesto emphasized the importance of creating spaces that foster social interaction, , and a sense of community, rather than the strict separation of functions advocated by CIAM
Team 10's critique of CIAM helped to shift the focus of modernist architecture towards a more humanistic and context-sensitive approach, paving the way for new movements such as Structuralism and Postmodernism
Structuralism and Mat-building
Structuralism in Architecture
Structuralism in architecture emerged in the 1960s as a response to the perceived limitations of modernist architecture and urban planning
Influenced by the work of anthropologist Claude Lévi-Strauss, architectural structuralism sought to understand the underlying patterns and relationships that shape human societies and the built environment
Structuralist architects believed that buildings should be designed as flexible, adaptable systems that can accommodate changing human needs and social structures over time
Key proponents of structuralism in architecture included Aldo van Eyck, (known for his design of schools and other public buildings), and (designer of the iconic Cube Houses in Rotterdam)
Mat-building and Urban Clusters
is an architectural concept that emerged from the structuralist movement, emphasizing the creation of dense, interconnected urban fabrics that can grow and change over time
Introduced by Alison Smithson in 1974, mat-building involves the design of low-rise, high-density buildings that are organized around a network of pedestrian paths, courtyards, and public spaces
Mat-buildings are often designed as modular systems that can be easily expanded or reconfigured to accommodate changing needs and uses
, a related concept, involve the grouping of buildings and public spaces around shared courtyards or pedestrian streets, creating a sense of community and social interaction
Examples of mat-building and urban clusters include the by Candilis, Josic, and Woods (1963-1979) and the by Aldo van Eyck (1960)
Human-centered Design Principles
Designing for Human Scale and Experience
A central tenet of Team 10 and structuralist architecture was the importance of designing buildings and cities that respond to human scale and experience
Human scale refers to the proportions and dimensions of buildings and spaces that are comfortable and relatable to the human body and senses
Architects like Aldo van Eyck and Herman Hertzberger emphasized the need for buildings to provide a sense of shelter, enclosure, and intimacy, while also allowing for social interaction and community building
Van Eyck's Amsterdam Orphanage (1960) is a prime example of human-centered design, with its complex arrangement of interconnected spaces, courtyards, and play areas that foster a sense of belonging and discovery for the children who live there
Other key principles of human-centered design include the use of natural materials, the incorporation of nature and greenery, and the creation of spaces that are flexible and adaptable to changing human needs over time
By prioritizing human experience and well-being, the architects of Team 10 and the structuralist movement helped to shift the focus of modernist architecture towards a more empathetic and socially responsible approach to design