Minimalism in music emerged in the 1960s, featuring repetitive patterns and gradual transformations. Composers like Steve Reich , Philip Glass , and Terry Riley pioneered techniques like phasing and additive processes , creating hypnotic soundscapes with limited musical materials.
Post-minimalism evolved in the late 1970s, blending minimalist techniques with diverse influences. Composers incorporated more complex harmonies, narrative elements, and technological advancements. This expansion of minimalism's core ideas influenced contemporary classical music and sparked artistic debates.
Minimalist Music Characteristics
Top images from around the web for Repetitive Patterns and Gradual Transformations Hagamatana II (1967) - Frank Stella (1936) | Belem, Berardo … | Flickr View original
Is this image relevant?
Frontiers | Rhythmic complexity and predictive coding: a novel approach to modeling rhythm and ... View original
Is this image relevant?
Hagamatana II (1967) - Frank Stella (1936) | Belem, Berardo … | Flickr View original
Is this image relevant?
1 of 3
Top images from around the web for Repetitive Patterns and Gradual Transformations Hagamatana II (1967) - Frank Stella (1936) | Belem, Berardo … | Flickr View original
Is this image relevant?
Frontiers | Rhythmic complexity and predictive coding: a novel approach to modeling rhythm and ... View original
Is this image relevant?
Hagamatana II (1967) - Frank Stella (1936) | Belem, Berardo … | Flickr View original
Is this image relevant?
1 of 3
Minimalism employs repetitive patterns and drones
Musical elements transform gradually over extended periods
Phasing technique creates shifting relationships between identical patterns played at slightly different speeds
Additive processes gradually introduce or remove musical elements
Strong emphasis on rhythm and pulse drives minimalist compositions
Harmonic complexity and traditional melodic development reduced
Limited Musical Materials and Extended Duration
Compositions utilize a small set of pitches or rhythmic patterns
Extended duration and static harmony create a sense of timelessness
Textural layering superimposes multiple repeating patterns
Complex sonic landscapes emerge from layered patterns
Process music focuses on the compositional process itself
Limited materials challenge composers to create engaging works
Pioneering Minimalist Composers
Steve Reich's Innovative Techniques
"It's Gonna Rain " (1965) and "Come Out " (1966) introduced tape phasing
Tape phasing laid groundwork for later instrumental compositions
"Music for 18 Musicians " (1976) exemplifies mature minimalism
Pulsing patterns, gradual changes, and interlocking rhythms characterize Reich's work
Reich's compositions often feature percussive elements (vibraphones, marimbas)
Exploration of speech melodies in works like "Different Trains " (1988)
Philip Glass's Large-Scale Works
"Einstein on the Beach " (1976) applied minimalist techniques to opera
Additive processes and repetitive structures feature prominently in Glass's operas
"Music in Twelve Parts " (1971-74) showcases cyclical harmonic progressions
Modular compositional techniques define Glass's approach
Glass often incorporates arpeggiated patterns (synthesizers, woodwinds)
Film scores like "Koyaanisqatsi " (1982) brought minimalism to wider audiences
Terry Riley's Pioneering Compositions
"In C " (1964) introduced modular composition to minimalism
Performers choose when to progress through a series of musical phrases
"A Rainbow in Curved Air " (1969) explores electronic instruments and tape loops
Hypnotic, layered textures characterize Riley's electronic works
Riley's interest in Indian classical music influenced his compositional style
Improvisational elements often feature in Riley's performances (organ, saxophone)
Development of Post-Minimalism
Expansion of Musical Influences
Post-minimalism emerged in late 1970s and 1980s
Composers retained some minimalist techniques while incorporating diverse influences
More complex harmonies and rhythms allow for greater emotional expression
Narrative elements become more prominent in post-minimalist works
World music, jazz, and popular music expand the tonal and timbral palette
Composers like John Adams blend minimalist techniques with traditional classical forms
Technological Advancements and Structural Flexibility
Digital sampling and electronic processing create new sonic possibilities
More flexible approach to form and structure moves away from strict minimalist processes
Concept of totalism combines minimalist repetition with maximalist density
Michael Torke 's works exemplify post-minimalist orchestration techniques
Use of technology allows for more intricate layering and sound manipulation
Virtual instruments and computer-assisted composition expand creative possibilities
Impact of Minimalism vs Post-Minimalism
Influence on Contemporary Classical Music
Promoted return to tonality and rhythmic regularity in classical composition
Bridged gap between classical and popular music, increasing accessibility
Emphasis on process and gradual transformation influenced various genres
Minimalist techniques widely adopted in film scoring (Philip Glass, John Adams)
New approaches to orchestration and ensemble writing emerged
Development of new performance practices (extended techniques, ensemble coordination)
Critical Discourse and Artistic Debates
Sparked ongoing debates about nature of musical complexity
Questioned value of repetition and gradual change in composition
Influenced critical discourse in contemporary music theory and analysis
Challenged traditional notions of musical development and form
Inspired cross-disciplinary collaborations (dance, visual arts, theater)
Minimalist aesthetics influenced architecture and visual arts (Donald Judd, Sol LeWitt)