You have 3 free guides left 😟
Unlock your guides
You have 3 free guides left 😟
Unlock your guides

11.4 Quality Control and Final Mix Considerations

3 min readjuly 22, 2024

Audio post-production quality control ensures your narrative radio piece sounds polished and professional. It involves critical listening to identify issues like noise, distortion, and inconsistent levels, then addressing them with tools like noise reduction, EQ, and .

Best practices in audio mixing create a cohesive, immersive soundscape. This includes balancing levels, proper gain staging, , and techniques. The goal is a wide, dynamic mix that enhances the narrative without distracting from it.

Audio Post-Production Quality Control

Critical ear for audio quality

Top images from around the web for Critical ear for audio quality
Top images from around the web for Critical ear for audio quality
  • Listen critically to identify potential issues
    • Noise, hum, or unwanted background sounds (room tone, HVAC noise)
    • Distortion or clipping caused by overloading the audio signal
    • Inconsistent levels between audio elements (dialogue, music, sound effects)
    • Plosives, sibilance, or other mic technique issues (popping "p" sounds, harsh "s" sounds)
  • Address identified issues using appropriate tools and techniques
    • Noise reduction plugins reduce unwanted noise (iZotope RX, Waves X-Noise)
    • EQ to reduce problematic frequencies (low-end rumble, high-end hiss)
    • Compression to control dynamic range and even out levels
    • Editing to remove or replace problematic sections (cut out unwanted noise, replace with clean audio)
  • Continuously refine your critical listening skills through practice and reference material (listen to high-quality productions, compare to your own work)

Best practices in audio mixing

  • Establish a consistent mixing workflow
    • Start with a clean, organized session with clearly labeled tracks
    • Balance levels of individual tracks to create a cohesive mix
    • Apply processing as needed (EQ to shape tone, compression to control dynamics, effects to add depth)
    • Use automation to create dynamic mix changes (fade ins/outs, level adjustments)
  • Utilize proper gain staging throughout the mixing process
    • Avoid clipping or distortion at any stage of the signal chain
    • Leave headroom for mastering to allow for final level adjustments
  • Employ stereo imaging techniques to create a wide, immersive soundscape
    • Pan elements to create a balanced stereo field (dialogue center, music and effects wider)
    • Use stereo widening plugins judiciously to enhance width without causing phase issues (Waves S1 Imager, iZotope Ozone Imager)
  • Apply mastering processing to enhance overall mix
    • Gentle compression to glue mix together and even out levels
    • EQ to balance frequency spectrum and add clarity
    • Limiting to increase perceived loudness while preventing clipping

Final Mix Considerations

Loudness and dynamic range optimization

  • Use loudness metering to ensure compliance with broadcast standards
    • Integrated loudness (LUFS) for overall program loudness (-24 LUFS for podcasts)
    • Short-term loudness (LUFS) for momentary changes (-18 LUFS max)
    • True peak (dBTP) to prevent clipping (-1 dBTP max)
  • Employ dynamic range compression strategically
    • Preserve natural dynamics of the narrative to maintain emotional impact
    • Use compression to control peaks and maintain consistent loudness
    • Avoid over-compression, which can lead to a fatiguing listener experience (pumping, breathing artifacts)
  • Utilize automation to make subtle level adjustments throughout the mix (ride levels of dialogue, music, and effects)

Quality control for final delivery

  • Perform critical listening in a calibrated monitoring environment
    • Use studio-grade monitors or reference headphones (Yamaha NS10, Beyerdynamic DT770)
    • Ensure proper room acoustics and treatment to minimize coloration
  • Check for technical issues
    • Clicks, pops, or other artifacts introduced during editing or processing
    • Unintended noise or distortion (hiss, hum, clipping)
    • Proper file format and specifications (24-bit/48kHz WAV for maximum quality)
  • Review creative elements
    • Pacing and flow of the narrative (smooth transitions, logical story progression)
    • Effectiveness of music and sound design in supporting the story
    • Overall emotional impact and engagement for the listener
  • Address any identified issues through targeted editing, mixing, or mastering adjustments
  • Conduct final QC pass to ensure all issues have been resolved before delivery (listen on multiple systems, check levels and metadata)
© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.


© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.

© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.
Glossary
Glossary