Audio post-production quality control ensures your narrative radio piece sounds polished and professional. It involves critical listening to identify issues like noise, distortion, and inconsistent levels, then addressing them with tools like noise reduction, EQ, and .
Best practices in audio mixing create a cohesive, immersive soundscape. This includes balancing levels, proper gain staging, , and techniques. The goal is a wide, dynamic mix that enhances the narrative without distracting from it.
Audio Post-Production Quality Control
Critical ear for audio quality
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The reference for audio quality - SoundExpert View original
EQ to reduce problematic frequencies (low-end rumble, high-end hiss)
Compression to control dynamic range and even out levels
Editing to remove or replace problematic sections (cut out unwanted noise, replace with clean audio)
Continuously refine your critical listening skills through practice and reference material (listen to high-quality productions, compare to your own work)
Best practices in audio mixing
Establish a consistent mixing workflow
Start with a clean, organized session with clearly labeled tracks
Balance levels of individual tracks to create a cohesive mix
Apply processing as needed (EQ to shape tone, compression to control dynamics, effects to add depth)
Use automation to create dynamic mix changes (fade ins/outs, level adjustments)
Utilize proper gain staging throughout the mixing process
Avoid clipping or distortion at any stage of the signal chain
Leave headroom for mastering to allow for final level adjustments
Employ stereo imaging techniques to create a wide, immersive soundscape
Pan elements to create a balanced stereo field (dialogue center, music and effects wider)
Use stereo widening plugins judiciously to enhance width without causing phase issues (Waves S1 Imager, iZotope Ozone Imager)
Apply mastering processing to enhance overall mix
Gentle compression to glue mix together and even out levels
EQ to balance frequency spectrum and add clarity
Limiting to increase perceived loudness while preventing clipping
Final Mix Considerations
Loudness and dynamic range optimization
Use loudness metering to ensure compliance with broadcast standards
Integrated loudness (LUFS) for overall program loudness (-24 LUFS for podcasts)
Short-term loudness (LUFS) for momentary changes (-18 LUFS max)
True peak (dBTP) to prevent clipping (-1 dBTP max)
Employ dynamic range compression strategically
Preserve natural dynamics of the narrative to maintain emotional impact
Use compression to control peaks and maintain consistent loudness
Avoid over-compression, which can lead to a fatiguing listener experience (pumping, breathing artifacts)
Utilize automation to make subtle level adjustments throughout the mix (ride levels of dialogue, music, and effects)
Quality control for final delivery
Perform critical listening in a calibrated monitoring environment
Use studio-grade monitors or reference headphones (Yamaha NS10, Beyerdynamic DT770)
Ensure proper room acoustics and treatment to minimize coloration
Check for technical issues
Clicks, pops, or other artifacts introduced during editing or processing
Unintended noise or distortion (hiss, hum, clipping)
Proper file format and specifications (24-bit/48kHz WAV for maximum quality)
Review creative elements
Pacing and flow of the narrative (smooth transitions, logical story progression)
Effectiveness of music and sound design in supporting the story
Overall emotional impact and engagement for the listener
Address any identified issues through targeted editing, mixing, or mastering adjustments
Conduct final QC pass to ensure all issues have been resolved before delivery (listen on multiple systems, check levels and metadata)