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6.4 Unconventional materials and found objects

4 min readjuly 18, 2024

Street artists are getting creative with their materials, turning everyday junk into thought-provoking art. From old to industrial scraps, these unconventional objects become powerful tools for expression and social commentary.

Artists face unique challenges when working with . They must consider , safety, and while manipulating objects to fit their vision. The result? Engaging installations that transform public spaces and spark important conversations.

Unconventional Materials and Found Objects in Street Art

Unique materials for street art

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  • Discarded everyday objects serve as raw materials for street art installations
    • Furniture such as chairs, tables, and cabinets can be repurposed and transformed
    • like refrigerators, washing machines, and televisions offer unique shapes and textures
    • including car doors, hoods, bicycles, and shopping carts can be incorporated into artworks
  • Construction and provide a range of options for street artists
    • can be disassembled and reassembled to create sculptures or structures
    • and sheets offer durability and can be bent, cut, or welded into various forms
    • Rope, wire, and chains add linear elements and can be used for suspension or as part of the artwork itself
  • bring an organic touch to street art installations
    • , with its weathered appearance, can be used to create rustic or nautical-themed pieces
    • and stones of various sizes and colors can be arranged or stacked to form sculptures or patterns
    • and foliage, either living or dried, can be integrated to add a living component or natural texture
  • Textile and fabric materials introduce softness and versatility to street art
    • and accessories such as shirts, pants, hats, and shoes can be repurposed or arranged to create figures or abstract forms
    • and bedding, with their draping qualities, can be used to create flowing or billowing elements
    • and rugs can be cut, layered, or suspended to add color, pattern, and texture to installations

Problem-solving with unconventional materials

  • Assess the properties and characteristics of the chosen materials to ensure they are suitable for the intended artwork
    • Consider durability and , especially for outdoor installations exposed to the elements (rain, sun, wind)
    • Evaluate the and of the materials to determine how they can be shaped or manipulated
    • Take into account the and portability of the materials for ease of transportation and installation
  • Consider the specific constraints and opportunities presented by the
    • Measure the dimensions and layout of the space to ensure the artwork fits and interacts with the environment
    • Assess and safety concerns, such as ensuring the artwork does not obstruct pathways or pose risks to the public
    • Be mindful of legal and ethical considerations, such as obtaining necessary permissions or respecting private property
  • Adapt and manipulate the materials to create the desired visual effects and aesthetic impact
    1. Cut, shape, and assemble the materials using tools like saws, drills, or welding equipment to construct the artwork's structure
    2. Apply paint, stains, or other surface treatments to enhance the color, texture, or pattern of the materials
    3. Incorporate lighting elements (LEDs, projectors) or kinetic components (motors, hinges) to add dynamic or interactive qualities to the piece

Meaning through unconventional materials

  • Employ and to convey deeper meanings and social commentary through material choices
    • Select materials that represent societal issues, such as using discarded plastic to comment on and waste
    • Juxtapose contrasting materials to create or satire, like combining luxurious fabrics with industrial debris to highlight inequality
  • Consider the historical and cultural context of the installation site and community
    • Incorporate materials specific to the location, such as using local plant species or architectural elements to create a sense of place
    • Reference local traditions, events, or narratives through the choice and arrangement of materials to resonate with the audience
  • Design the artwork to encourage and interaction
    • Use tactile materials or create inviting spaces that encourage people to touch, explore, and physically interact with the installation
    • Provoke thought and dialogue by selecting materials that raise questions or challenge preconceptions about art and society

Environmental impact of found objects

  • Source materials responsibly to minimize the environmental impact of the artwork
    • Prioritize the use of recycled, reclaimed, or to reduce waste and transportation emissions
    • Avoid or minimize the use of (paints, adhesives) or non- that can harm the environment
  • Consider the entire life cycle of the artwork, from creation to eventual removal or decomposition
    • Design the installation with durability and longevity in mind to reduce the need for frequent replacements or repairs
    • Plan for the responsible removal or natural decomposition of the artwork, ensuring that materials can be recycled or biodegraded
  • Use the artwork as an opportunity to promote environmental awareness and encourage
    • Select materials that highlight ecological issues, such as using reclaimed plastic to draw attention to ocean pollution
    • Collaborate with environmental organizations or initiatives to align the artwork with broader sustainability efforts and amplify the message
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© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.

© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.
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