TV script formats are essential tools for conveying information in production. From single-column screenplays to dual-column shooting scripts, each format serves a specific purpose in the creative process. Understanding these formats is crucial for effective communication among the production team.
Script elements like scene headings, action lines, and work together to paint a vivid picture of the story. Proper formatting, including font choice, spacing, and page margins, ensures consistency and readability. Mastering these elements helps writers create professional, production-ready scripts.
Types of script formats
Script formats in TV production refer to the various ways in which scripts are structured and presented to convey the necessary information for production
Different script formats serve different purposes and are used at various stages of the production process, from the initial writing phase to the final shooting stage
Single-column vs dual-column
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Single-column scripts, also known as master scene scripts, present all elements of a scene (scene headings, action lines, character names, dialogue) in a single column format
Commonly used for the initial writing stage and table reads
Easier to read and visualize the flow of the story
Dual-column scripts, also known as two-column scripts or split-page scripts, divide the page into two columns
Left column contains scene headings, action lines, and character names
Right column contains dialogue and parentheticals
Used in the production phase as they provide more space for technical notes and director's comments
Screenplay vs shooting script
Screenplays are the initial version of a script, focusing on the story, characters, and dialogue
Used to pitch the story and attract talent to the project
Serve as the foundation for the
Shooting scripts are a more detailed version of the , including technical information necessary for production
Contain scene numbers, camera angles, shot descriptions, and transitions
Used by the production crew during filming to ensure all necessary elements are captured
Differences in formatting conventions
Various script formatting software (, Movie Magic Screenwriter) may have slight differences in their default settings
Margins, font sizes, and line spacing can vary between programs
Television scripts often have specific formatting requirements based on the network or production company
limitations, act break placement, and commercial break indications may differ
Understanding and adhering to the specific formatting conventions of the project is crucial for professional script presentation
Elements of a script
Scene headings
Also known as sluglines, scene headings indicate the location and time of a scene
Formatted in all caps
Typically include three elements: interior or exterior (INT./EXT.), location, and time of day (DAY/NIGHT)
Example: INT. COFFEE SHOP - DAY
Action lines
Action lines describe the visual elements of a scene, including character actions, settings, and any necessary descriptions
Written in present tense and active voice
Provide a clear picture of what is happening on screen
Example: John enters the room, nervously fidgeting with his tie.
Character names
Character names appear above their respective dialogue and are formatted in all caps
First appearance of a character in the script is often accompanied by a brief description in parentheses
Example: SARAH (30s, confident) enters the room.
Dialogue
Dialogue is the spoken words of characters, appearing beneath their character names
Each character's dialogue starts on a new line
Dialogue should be concise and reveal character traits, motivations, and plot information
Example:
JOHN
I can't believe this is happening.
Parentheticals
Parentheticals appear beneath character names and provide additional information about how a line should be delivered or a character's action
Used sparingly to avoid cluttering the script
Example:
SARAH
(sarcastically)
Yeah, I'm sure that'll work out great.
Transitions
Transitions indicate how one scene or shot moves to the next
Common transitions include CUT TO:, DISSOLVE TO:, and FADE IN/OUT
Used to convey passage of time, change of location, or a shift in tone
Example:
FADE OUT.
Formatting guidelines
Font and spacing
Scripts are typically written in a 12-point, fixed-width font (Courier, Courier New) to ensure consistent page count and readability
One page of a script usually equates to one minute of screen time
Scripts use specific line spacing and indentations for different elements
Scene headings, action lines, and character names are left-aligned
Dialogue is indented
Parentheticals are indented and enclosed in parentheses
Page margins
Scripts have standardized page margins to ensure consistent formatting across different software and printing methods
Top and bottom margins are typically set to 1 inch
Left and right margins are typically set to 1.5 inches
Adhering to these margins helps maintain the "one page equals one minute" rule of thumb
Scene numbering
Scenes are numbered consecutively throughout the script to help with organization and referencing during production
Scene numbers typically appear to the right of the scene heading
Example:
INT. COFFEE SHOP - DAY (SCENE 1)
Scene numbers are important for scheduling, budgeting, and communication among the production team
Continueds and mores
When a character's dialogue is interrupted by an or extends across multiple pages, "CONT'D" is used to indicate the continuation
Appears in parentheses next to the character name when the dialogue resumes
Example:
JOHN
I can't believe this is--
Sarah enters the room, interrupting John.
JOHN (CONT'D)
--happening right now.
"MORE" and "CONT'D" are also used at the bottom and top of pages to indicate when a scene or dialogue continues across page breaks
Script structure
Teaser vs cold open
A teaser is a short scene or sequence at the beginning of a TV episode that precedes the opening credits
Designed to hook the audience and set up the main storyline
Often ends with a cliffhanger or a compelling question
A cold open, also known as a pre-credits scene, is similar to a teaser but is not necessarily connected to the main plot of the episode
Can be a self-contained comedic or dramatic moment
Used to grab the audience's attention before the main story begins
Acts and act breaks
TV scripts are typically divided into acts, with act breaks serving as natural points for commercial breaks or narrative shifts
The number of acts varies depending on the format and runtime of the show
For example, a one-hour drama might have four acts plus a teaser and tag
Act breaks are indicated in the script by placing "ACT BREAK" or "END OF ACT" at the appropriate point
Often accompanied by a cliffhanger or a significant plot development to maintain audience engagement
Tag vs epilogue
A tag, also known as a button or stinger, is a short scene that appears after the final act and before the end credits
Often used for comedic effect, to tie up loose ends, or to set up future storylines
Not all episodes or series include tags
An epilogue is a more extended scene that takes place after the main story has concluded
Provides additional closure, reveals the consequences of the characters' actions, or sets up the next episode
Epilogues are less common than tags and are usually reserved for significant plot developments
Commercial breaks
For TV scripts, commercial breaks are an essential consideration in the structure and pacing of the story
Act breaks are strategically placed to accommodate commercial breaks
Cliffhangers or compelling moments are often positioned before commercial breaks to maintain viewer interest
The placement and duration of commercial breaks may vary depending on the network and the show's format
It's essential to understand the specific requirements and adapt the script accordingly
Script revision process
Table reads and feedback
Table reads involve the cast and creative team reading through the script together, often for the first time
Allows for initial feedback on the story, characters, and dialogue
Helps identify areas that need improvement or clarification
After the table read, the writer incorporates the feedback and makes necessary revisions to the script
This process may involve multiple drafts and iterations
Colored pages for revisions
As revisions are made to the script, new pages are often printed on different colored paper to easily distinguish them from the original pages
For example, first revisions might be on blue pages, second revisions on pink pages, and so on
This helps the production team quickly identify and incorporate the latest changes
Locking the script
Once the script has gone through the necessary revisions and has been approved by the creative team, it is considered "locked"
No further changes are made to the script unless absolutely necessary
Locking the script allows the production team to move forward with planning, scheduling, and budgeting
In some cases, minor revisions may still occur during the production process, but these are typically kept to a minimum to avoid disrupting the established plan
Script breakdowns
Purpose of script breakdowns
Script breakdowns are detailed analyses of a script that identify all the elements needed for production
Used to create schedules, budgets, and shooting plans
Help the production team understand the scope and requirements of the project
Breakdowns are typically created by the assistant director or production manager
Elements included in breakdowns
Script breakdowns include a comprehensive list of all the elements featured in each scene, such as:
Cast members and their characters
Extras and stand-ins
Props and set dressing
Costumes and makeup
Special effects and stunts
Locations and sets
Equipment and vehicles
Each element is assigned a unique identifying code or color to facilitate organization and tracking
Scheduling and budgeting
The information gathered from script breakdowns is used to create production schedules and budgets
Schedules are designed to optimize the use of time, resources, and locations
Budgets are developed based on the identified elements and their associated costs
Effective scheduling and budgeting rely on accurate and thorough script breakdowns
Any missing or incorrect information can lead to delays, cost overruns, or logistical challenges during production
Best practices for script writing
Clarity and conciseness
Scripts should be clear, concise, and easy to understand
Use simple, direct language and avoid unnecessary jargon or complex sentence structures
Be specific in descriptions and action lines to paint a vivid picture
Concise writing helps maintain the pace of the story and keeps the reader engaged
Avoiding overwriting
Overwriting refers to the use of excessive or overly descriptive language that can slow down the pace of the script
Avoid lengthy, detailed descriptions of settings or characters unless absolutely necessary
Trust the director, actors, and production team to interpret and bring the script to life
Focus on conveying the essential information needed to tell the story effectively
Showing vs telling
Effective scriptwriting relies on showing the audience what is happening rather than simply telling them
Use action lines and visual descriptions to convey emotions, relationships, and plot points
Avoid excessive exposition or characters unnaturally explaining things for the audience's benefit
Showing allows the audience to experience the story and draw their own conclusions
Maintaining consistent tone
The tone of a script should be consistent throughout, reflecting the overall mood and genre of the story
Use language, pacing, and character interactions that align with the intended tone
Avoid jarring shifts in tone unless intentionally used for dramatic or comedic effect
Consistency in tone helps create a cohesive and immersive experience for the audience