5 min read•june 18, 2024
Laurie Accede
Charly Castillo
Laurie Accede
Charly Castillo
Welcome to the final unit of AP Art History! (cue the round of celebratory applause 👏) Unit 10 is a great way to finish off this course because its works are unlike any that we've seen previously with respect to theme, media (materials) and technique. Unfortunately, though, contemporary art (art made in the second half of the 20th or the 21st century) gets a bad rap from many viewers. However, just because may look different than the works that we've studied in earlier units, does not mean that it's a less valid movement. Most of these works are meant to be thought-provoking. They push the boundaries of traditional art forms and challenge viewers to consider the question: "What is art?" Be sure to keep this in mind as we head into the Unit's contextualization and works.
In the late 20th century, technology began to drastically improve as new machines were being created and manufacturing techniques were being perfected. This caused the production of different media to rapidly increase and their manufacturing costs to decrease. Thus making art more accessible to people around the world, regardless of wealth or status. (Before this occurred, most artists, especially from Europe, came from well-to-do families and were educated at private art schools.)
As technology became more advanced over time, artists were also beginning to abandon traditional medias, like oil paint and stucco, for new innovative materials (ex. ). Artists also began to integrate common everyday materials into their artwork (ex. cut paper, glass, and burlap). They began to use technology to their advantage when creating. For example, some of the artists that made the works below incorporated video and audio into their installations (exhibits in a gallery), so the viewer can have more sensory experience, rather than just visual. This is a deviation from works in previous units,
As the world becomes more modernized (adapted for contemporary life; ex. urbanization, industrialization, high literacy rate) and globalized (spreading of cultures worldwide), people are beginning to interact more. This increased communication has allowed artists of different backgrounds to inspire one another and create unique works of art.
The field of art has become more inclusive of artists from different nationalities, ethnicities, sexual orientations, and backgrounds over time. Many of the works in this unit (such as and ) were made by artists of color. They also explore more polarizing issues like increasing (Pisupo Lua Afe) and (En la Barberia, No Se Llora). More still needs to be done to make the field entirely accepting of all artists, however, the progress made recently in the field should still be acknowledged.
And that's it! Be sure to give yourself a pat on the back for getting through the entire AP Art History Course. Hopefully, the past 10 Unit Study Guides will help as you study for any exams you have throughout the year and ace the final one in May. Happy studying and good luck! 🎉
Art | Artist (s) | Form | Date |
1979–2005 C.E. | |||
Granite | 1982 C.E. | ||
Horn Players | Jean-Michel Basquiat | 1983 C.E. | |
Ink on paper | 1983 C.E. | ||
Androgyne III | Magdalena Abakanowicz | Resin, burlap, wood, string and nails | 1985 C.E. |
Xu Bing | Mixed-media installation | 1987–1991 C.E. | |
Pink Panther | Glazed porcelain | 1988 C.E. | |
Photograph | 1990 C.E. | ||
Dancing at the Louvre, from the series The French Collection, Part I; #1 | Faith Ringgold | Acrylic on canvas, fabric, and tie-dye materials | 1991 C.E. |
Jaune Quick-to-See Smith | Oil paint and mixed media on canvas | 1992 C.E | |
Earth's Creation | Emily Kame Kngwarreye | Synthetic polymer paint on canvas | 1994 C.E. |
, from the Women of Allah series | Shirin Neshat and Cynthia Preston | Ink on photograph | 1994 C.E. |
Pepon Osorio | Mixed-media installation | 1994 C.E. | |
Michel Tuffery | Mixed media | 1994 C.E. | |
Mixed-media installation (video, neon, steel, and electronic components) | 1995 C.E. | ||
Video and sound installation | 1996 C.E. | ||
Glass, limestone, and titanium | 1997 C.E. | ||
Color photograph on glass | 1998 C.E. | ||
Lying with the Wolf | Pencil and ink on paper | 2001 C.E. | |
Kara Walker | Cut paper and projection on wall | 2001 C.E. | |
Mixed-media installation | 2001 C.E. | ||
Old Man’s Cloth | Copper wire and aluminum | 2003 C.E. | |
Julie Mehretu | Ink and on canvas | 2004 C.E. | |
Mixed media on Mylar (a type of polyester film) | 2006 C.E. | ||
Installation | 2007-2008 C.E. | ||
Glass, cement, and steel | 2009 C.E. | ||
Sculptured and painted porcelain | 2010-2011 C.E. |