11.9 Postcolonial theory

Postcolonial theory analyzes the lasting effects of colonialism on cultures and societies. It examines how colonial power dynamics continue to shape media representation, cultural production, and global inequalities.

Key concepts include Orientalism, hybridity, and subaltern voices. These ideas help us understand how television perpetuates or challenges colonial ideologies through representation, format adaptation, and alternative narratives.

Postcolonial theory origins

• Postcolonial theory emerged as a critical framework to analyze the cultural, political, and economic legacies of colonialism and imperialism
• Developed in the mid-20th century, drawing from anti-colonial movements and post-structuralist thought
• Examines how colonial power relations continue to shape contemporary societies and cultural production

Postcolonial studies vs postcolonial theory

Top images from around the web for Postcolonial studies vs postcolonial theory

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

1 of 3

Top images from around the web for Postcolonial studies vs postcolonial theory

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

• 

  DHQ: Digital Humanities Quarterly: Multimodal Authoring and Authority in Educational Comics ... View original

  Is this image relevant?

1 of 3

• Postcolonial studies is a broader interdisciplinary field encompassing history, literature, anthropology, and other disciplines
• Postcolonial theory specifically focuses on the theoretical and conceptual tools for analyzing colonial discourse and power relations
• Postcolonial theory draws heavily from post-structuralist thinkers (Foucault, Derrida) and adapts their ideas to colonial contexts

Key postcolonial theorists

• Edward Said: Developed concept of Orientalism, critiqued Western representations of the "East"
• Homi Bhabha: Theorized hybridity, mimicry, and ambivalence in colonial encounters
• Gayatri Spivak: Analyzed the silencing of subaltern voices, especially women in the Global South
• Frantz Fanon: Examined psychology of colonialism, advocated for decolonization struggles

Postcolonialism vs anti-colonialism

• Anti-colonialism refers to political movements and struggles against colonial rule (Indian independence movement, Algerian war)
• Postcolonialism is a theoretical approach that analyzes the ongoing effects of colonialism after formal independence
• Postcolonial theory recognizes that decolonization is an incomplete process and that neo-colonial power structures persist

Postcolonial concepts

• Postcolonial theory has developed a range of critical concepts for analyzing the cultural and ideological dimensions of colonialism
• These concepts provide a vocabulary for understanding how colonial power operates through representation, discourse, and knowledge production
• Postcolonial concepts have been widely influential across the humanities and social sciences, including media and cultural studies

Orientalism and othering

• Orientalism refers to the Western construction of the "Orient" as an exotic, inferior, and stereotyped other
• Involves the production of knowledge and representation that positions the West as superior and the East as backward
• Othering is the process of defining and subordinating colonized peoples as fundamentally different and less human

Hybridity of identity

• Hybridity describes the mixing and blending of cultural identities in colonial and postcolonial contexts
• Challenges essentialist notions of pure or authentic cultural identities
• Recognizes how colonized subjects often negotiate and recombine elements of both colonizer and colonized cultures

Mimicry as resistance

• Mimicry refers to how colonized subjects imitate and appropriate elements of the colonizer's culture
• Can be a subversive strategy of resistance, destabilizing colonial authority by blurring distinctions between colonizer and colonized
• Homi Bhabha theorizes mimicry as an "ironic compromise" that is both resemblance and menace

Diaspora and displacement

• Diaspora describes the dispersal and migration of peoples away from an original homeland
• Often a consequence of colonial displacement, slavery, or economic pressures (South Asian diaspora, African diaspora)
• Diasporic identities involve negotiating belonging and difference across multiple cultural contexts

Subaltern voices

• Subaltern refers to marginalized or oppressed groups excluded from hegemonic power structures
• Gayatri Spivak asks "Can the subaltern speak?" - highlighting how dominant discourses silence subaltern voices
• Postcolonial theory seeks to recover and amplify subaltern histories, experiences, and forms of knowledge

Postcolonial approaches to media

• Postcolonial theory offers critical tools for analyzing how media and popular culture perpetuate or challenge colonial ideologies
• Examines the role of media in shaping perceptions of race, nation, and cultural difference
• Considers how media industries and technologies are imbricated within global power inequalities

Representation of colonized peoples

• Analyzes how colonized and formerly colonized peoples are represented in Western media
• Identifies recurring stereotypes and tropes (noble savage, exotic seductress, terrorist other)
• Critiques how these representations justify and naturalize colonial domination

Western media hegemony

• Examines how Western media industries (Hollywood, BBC) maintain global cultural hegemony
• Tied to legacies of cultural imperialism, where Western media norms and values are imposed as universal standards
• Considers political economy of global media flows and inequalities in production/distribution

Postcolonial counterpublics

• Explores how marginalized communities create alternative media spaces to resist dominant discourses
• Includes diasporic media, Indigenous media, and citizen media practices
• Highlights media production as site of cultural survival, collective identity formation, and political mobilization

Transnational media flows

• Examines how media content and formats circulate across national borders in postcolonial contexts
• Considers dynamics of cultural globalization, localization, and hybridization
• Recognizes both homogenizing effects of global media and possibilities for resistant appropriations

Postcolonial television criticism

• Applies postcolonial theories and concepts to the analysis of television as a cultural form
• Considers how television operates as a technology of cultural power in postcolonial contexts
• Examines television's role in shaping and contesting discourses of nation, race, gender, and modernity

Orientalist tropes in TV

• Analyzes how television perpetuates Orientalist stereotypes and binary oppositions (East vs West, tradition vs modernity)
• Prevalent in news coverage, documentaries, and fictional representations of non-Western societies
• Examples: Stereotypical portrayals of Arabs and Muslims as terrorists or oppressed women

Hybridity in global TV formats

• Explores how global television formats (reality TV, telenovelas) enable hybridization of cultural identities and practices
• Considers both homogenizing effects of format adaptation and possibilities for local resistance and appropriation
• Examples: Localized versions of Big Brother, hybridization of Bollywood and Hollywood aesthetics

Diaspora communities and TV

• Examines how diaspora communities use television to maintain cultural identities and connections to homelands
• Analyzes role of satellite TV and online streaming in shaping diasporic public spheres
• Examples: Iranian-American diaspora's engagement with Persian-language satellite TV

Subaltern narratives on television

• Considers how television can provide a platform for subaltern voices and counter-narratives
• Examines alternative and community-based television practices in postcolonial contexts
• Examples: Dalit-produced documentaries in India, Aboriginal community television in Australia

Postcolonial futures

• Postcolonial theory not only critiques the past and present, but also envisions alternative futures beyond colonial power relations
• Considers how popular culture can contribute to imagining and enacting decolonial futures
• Recognizes the ongoing necessity of decolonization as an unfinished project

Neo-colonial power structures

• Analyzes how formal political decolonization has not fully dismantled colonial power structures
• Examines neo-colonial economic dependencies, cultural imperialism, and political interventions
• Considers how media industries are implicated in perpetuating neo-colonial inequalities

Postcolonial speculative fiction

• Explores how speculative fiction (science fiction, fantasy) can envision postcolonial futures and alternatives
• Subverts colonial tropes and imagines worlds beyond Western hegemony
• Examples: Afrofuturist literature, Indigenous futurisms, South Asian science fiction

Afrofuturism on TV

• Examines how Afrofuturist themes and aesthetics are mobilized in television programming
• Considers how Afrofuturism subverts dominant racial discourses and envisions Black agency and empowerment
• Examples: Janelle Monáe's emotion picture Dirty Computer, HBO's Watchmen series

Decolonizing television studies

• Calls for decolonizing the field of television studies itself, in both methodologies and objects of analysis
• Involves centering non-Western and subaltern perspectives, epistemologies, and cultural practices
• Requires reflexivity about the field's own imbrication in colonial histories and power relations