in film explores how movies trigger physical and emotional responses in viewers. It examines non-cognitive reactions, focusing on sensations and intensities rather than purely intellectual interpretations. This approach recognizes the power of film to engage our bodies and feelings.
Contemporary film theory has shifted from solely cognitive approaches to consider embodied experiences. Theorists like and have shaped our understanding of how films elicit physical and emotional reactions, influencing both film analysis and production techniques.
Understanding Affect Theory in Film
Affect theory in film studies
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Affect theory examines non-cognitive, bodily responses to stimuli focusing on emotions, sensations, and intensities
Contemporary film theory shifts from purely cognitive approaches recognizes film's ability to elicit physical and emotional responses explores viewer's embodied experience
Key theorists include Gilles Deleuze (affection-image), Brian Massumi (autonomy of affect), (post-cinematic affect)
Embodied experience in film reception
views viewer's body as active participant in film experience triggers sensory-motor responses to on-screen action
Multi-sensory engagement involves visual stimuli (cinematography, lighting, color), auditory elements (sound design, music, dialogue), haptic visuality (texture and tactility)
Phenomenological approaches by Vivian Sobchack interpret film as expression of experience by experience while Laura Marks explores concept of haptic visuality
Affect and Audience Response
Emotional responses to films
Cinematic techniques for affective impact utilize close-ups (intimacy and emotional connection), camera movement (physical sensations), editing rhythm (tension and release)
Narrative and character development foster and with characters create emotional arcs and catharsis
Genre-specific affects include horror (fear, disgust, anxiety), melodrama (tears and emotional excess), action (excitement and adrenaline)
Bodily responses manifest as increased heart rate, sweating, muscle tension trigger mimetic responses (mirroring facial expressions or postures)