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Piers Plowman, a 14th-century allegorical poem, explores religious and social themes through dream visions. It critiques medieval English society after the and Hundred Years' War, reflecting the era's turbulence.

The poem, attributed to William Langland, exists in three versions (A, B, C texts). It uses and personified abstractions to examine corruption, religious reform, and the quest for in late medieval England.

Overview of Piers Plowman

  • poem written in Middle English during the late 14th century explores religious and social themes through dream visions
  • Serves as a critical examination of medieval English society, reflecting the turbulent period following the Black Death and the Hundred Years' War

Historical context

Late medieval England

Top images from around the web for Late medieval England
Top images from around the web for Late medieval England
  • Characterized by social upheaval and economic changes following the Black Death (1348-1350)
  • Witnessed the decline of and the rise of a more mobile workforce
  • Experienced religious tensions, including the emergence of and critiques of church corruption
  • Saw the development of English as a literary language, challenging Latin and French dominance

Influence of Black Death

  • Resulted in severe labor shortages, leading to increased wages and social mobility
  • Sparked questions about divine justice and the nature of suffering in
  • Contributed to a sense of apocalyptic expectation, reflected in the poem's eschatological themes
  • Influenced the poem's critique of social structures and emphasis on individual spiritual responsibility

Authorship and versions

William Langland

  • Presumed author of Piers Plowman, though biographical details remain largely speculative
  • Believed to have been a clerk in minor orders, educated but not of high social status
  • Demonstrates extensive knowledge of Scripture, theology, and contemporary social issues
  • Writing style combines scholarly Latin references with colloquial English expressions

A, B, and C texts

  • Three main versions of the poem, each progressively longer and more complex
  • A-text (c. 1367-70) consists of a prologue and 11 passūs (sections), focusing on social criticism
  • B-text (c. 1377-79) expands to 20 passūs, adding religious and philosophical content
  • C-text (c. 1385-87) further revises and reorganizes the material, emphasizing personal salvation
  • Differences between versions reflect evolving social and religious concerns of the late 14th century

Structure and form

Allegorical dream vision

  • Utilizes the medieval literary convention of dream visions to explore abstract concepts
  • Presents a series of interconnected dreams experienced by the narrator,
  • Employs personified abstractions (Truth, ) to convey complex theological ideas
  • Allows for fluid transitions between realistic and symbolic landscapes within the narrative

Alliterative verse

  • Written in unrhymed alliterative long lines, reviving an Old English poetic tradition
  • Typically features four stressed syllables per line, with three alliterating sounds
  • Employs various alliterative patterns to create rhythm and emphasis
  • Demonstrates Langland's linguistic virtuosity and connection to earlier English poetic forms

Major themes

Social criticism

  • Exposes corruption and hypocrisy across all levels of society, including clergy and nobility
  • Challenges the traditional feudal hierarchy and questions the basis of social status
  • Advocates for and the ethical treatment of the poor and marginalized
  • Critiques the accumulation of wealth by religious institutions at the expense of true piety

Religious reform

  • Calls for spiritual renewal within the Catholic Church and among individual believers
  • Questions the efficacy of indulgences and other practices seen as prioritizing outward shows of piety
  • Emphasizes the importance of living a Christ-like life over mere adherence to religious rituals
  • Explores tensions between institutional religion and personal faith, anticipating later reform movements

Quest for truth

  • Centers on the narrator's search for spiritual understanding and moral certainty
  • Presents truth as both a divine attribute and an ethical imperative for human behavior
  • Examines various paths to truth, including scholarship, labor, and contemplation
  • Ultimately suggests that true knowledge comes through lived experience and divine grace

Key characters

Piers the Plowman

  • Central figure who evolves from a humble farmer to a Christ-like spiritual guide
  • Represents the ideal of Christian living through honest labor and sincere faith
  • Serves as a mediator between human society and divine truth
  • Embodies the concept of "Christ in the common man," challenging social hierarchies

Will the Dreamer

  • Narrator and protagonist of the poem, whose name suggests both desire and determination
  • Undergoes a spiritual and intellectual journey through various allegorical encounters
  • Represents the everyman figure, struggling with moral questions and seeking enlightenment
  • Reflects the author's own quest for understanding and critiques of contemporary society

Lady Holy Church

  • Allegorical figure who first appears to Will to explain the nature of Truth
  • Represents the idealized spiritual authority of the Christian Church
  • Provides initial guidance but proves insufficient for Will's complete understanding
  • Contrasts with later, more worldly ecclesiastical figures in the poem

Allegorical elements

Seven deadly sins

  • Personified as characters in a confession scene, vividly illustrating human vices
  • Includes Pride, Wrath, Envy, Sloth, Avarice, Gluttony, and Lechery
  • Each sin confesses and repents, demonstrating the poem's didactic purpose
  • Serves as a critique of social and religious corruption across all levels of society

Four daughters of God

  • Allegorical representation of divine attributes debating human salvation
  • Consists of Mercy, Truth, Righteousness, and Peace
  • Drawn from Psalm 85:10, this allegory was common in medieval literature
  • Illustrates the theological complexity of reconciling God's justice with His mercy

Language and style

Middle English dialect

  • Written in the West Midlands dialect, reflecting Langland's presumed origins
  • Incorporates elements of both scholarly and colloquial language
  • Preserves archaic forms and regional expressions, providing insight into 14th-century English
  • Challenges modern readers but offers a rich linguistic tapestry of medieval English

Alliteration techniques

  • Employs various alliterative patterns to create rhythm and emphasize key concepts
  • Uses to link related ideas and create memorable phrases
  • Demonstrates the flexibility of English in accommodating complex ideas within poetic constraints
  • Connects the poem to earlier English poetic traditions while addressing contemporary concerns

Literary significance

Influence on later works

  • Inspired subsequent allegorical works in English literature (The Pilgrim's Progress)
  • Contributed to the development of social satire and critique in English writing
  • Influenced the use of vernacular language in serious literary and theological discourse
  • Served as a model for combining religious themes with social commentary in later periods

Critical interpretations

  • Subject of extensive scholarly debate regarding its meaning, structure, and historical context
  • Analyzed through various lenses, including Marxist, feminist, and post-colonial approaches
  • Valued for its insights into medieval social structures, religious thought, and linguistic development
  • Recognized as a major work in the canon of English literature, bridging medieval and early modern periods

Religious aspects

Medieval Catholic theology

  • Reflects orthodox Catholic doctrine while also questioning certain practices
  • Explores complex theological concepts such as predestination, free will, and divine justice
  • Incorporates elements of mysticism and contemplative spirituality
  • Demonstrates the interplay between institutional religion and personal faith in medieval thought

Lollard influences

  • Shows possible sympathies with Lollard critiques of church wealth and corruption
  • Emphasizes the importance of Scripture and personal spiritual experience
  • Questions the efficacy of indulgences and other practices associated with the institutional church
  • Reflects broader reformist sentiments in late , anticipating later movements

Social commentary

Critique of corruption

  • Exposes abuses of power and wealth across all levels of society, including clergy and nobility
  • Criticizes the sale of pardons, simony, and other forms of ecclesiastical corruption
  • Highlights the hypocrisy of those who profess piety while exploiting others
  • Advocates for social justice and ethical behavior as essential components of true Christianity

Class structure analysis

  • Examines the relationships between different social classes in medieval England
  • Questions the divine right of kings and the hereditary basis of nobility
  • Explores the dignity of labor and the spiritual value of honest work
  • Critiques the exploitation of the poor by both secular and religious authorities

Narrative progression

Prologue and passus structure

  • Begins with a prologue introducing the dreamer and the initial vision of the "fair field full of folk"
  • Divided into sections called passūs, each focusing on different aspects of the spiritual journey
  • Progresses from social critique to increasingly complex theological and philosophical explorations
  • Concludes with the dreamer's continued search for Do-Well, Do-Better, and Do-Best

Vision of dowel, dobet, dobest

  • Represents three stages of spiritual and ethical development in Christian life
  • Do-Well signifies basic moral behavior and adherence to religious precepts
  • Do-Better involves active charity and service to others
  • Do-Best represents the highest level of spiritual attainment, associated with Christ-like perfection
  • Serves as a framework for exploring the complexities of living a truly Christian life

Symbolism and imagery

Plowing as spiritual metaphor

  • Uses the image of plowing to represent spiritual labor and the cultivation of virtue
  • Connects the physical work of farming with the spiritual work of salvation
  • Reflects the poem's emphasis on the dignity of labor and its spiritual significance
  • Serves as a unifying metaphor throughout the poem, tying together various themes and episodes

Biblical allusions

  • Incorporates numerous references to Scripture, demonstrating the author's extensive biblical knowledge
  • Uses biblical stories and figures to illustrate moral and theological points
  • Draws parallels between contemporary society and biblical narratives
  • Reflects the centrality of in medieval Christian thought and literature

Reception and legacy

Contemporary impact

  • Widely circulated in manuscript form during the late 14th and 15th centuries
  • Influenced political and religious discourse in late medieval England
  • Cited by both supporters and critics of church reform movements
  • Contributed to the development of English as a language of serious literary and theological expression

Modern scholarly interest

  • Subject of extensive academic study since the 19th century
  • Valued for its insights into medieval social, religious, and linguistic history
  • Analyzed through various theoretical frameworks, including New Historicism and cultural studies
  • Continues to be recognized as a major work in the development of English literature and thought
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© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.

© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.
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