Waka poetry, especially tanka , became the cornerstone of Heian literature. With its 5-7-5-7-7 syllable pattern, tanka packed complex emotions and vivid imagery into just 31 syllables, showcasing the elegance of Japanese expression.
Poets used clever techniques like makurakotoba and kakekotoba to create layers of meaning. These linguistic devices, along with cultural references, allowed waka to convey deep emotions and philosophical concepts like mono no aware .
Structure and Components of Waka
Top images from around the web for Structure and Components of Waka Waka at the Tainui settlement celebrations, Turangawaewae,… | Flickr View original
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El rincón del Aikido: TANKA y SENRYU View original
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Spiccycullen: [Letteratura Giapponese #3] - La poesia: Man’yōshū & Waka View original
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Waka at the Tainui settlement celebrations, Turangawaewae,… | Flickr View original
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El rincón del Aikido: TANKA y SENRYU View original
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Top images from around the web for Structure and Components of Waka Waka at the Tainui settlement celebrations, Turangawaewae,… | Flickr View original
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El rincón del Aikido: TANKA y SENRYU View original
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Spiccycullen: [Letteratura Giapponese #3] - La poesia: Man’yōshū & Waka View original
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Waka at the Tainui settlement celebrations, Turangawaewae,… | Flickr View original
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El rincón del Aikido: TANKA y SENRYU View original
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Waka encompasses various forms of classical Japanese poetry
Tanka emerges as the most common form of waka poetry
5-7-5-7-7 syllable pattern forms the foundation of tanka structure
Consists of 31 syllables arranged in five lines
First three lines (5-7-5) function as the upper phrase (kamino-ku)
Final two lines (7-7) serve as the lower phrase (shimono-ku)
Tanka often conveys complex emotions or vivid imagery within its concise form
Evolution and Variations of Waka
Originated from ancient Japanese oral traditions
Developed into a sophisticated literary form during the Nara and Heian periods
Chōka (long poem) predates tanka but gradually fell out of use
Sedōka (head-repeated poem) features a 5-7-7-5-7-7 syllable pattern
Bussokusekika (Buddha footprint poem) follows a 5-7-5-7-7-7 structure
Waka influenced the development of later poetic forms (haiku, renga)
Waka Poetic Techniques
Linguistic Devices in Waka
Makurakotoba (pillow words) function as epithets or prefixes to introduce specific words
Kakekotoba (pivot words) employ words with multiple meanings to create layered interpretations
Engo (associated words) use related terms to enhance the poem's overall imagery and mood
Techniques often combine to create intricate webs of meaning within the limited syllable count
Poets skillfully manipulate these devices to evoke emotions and paint vivid scenes
Intertextuality and Cultural References
Honkadori involves allusion to or adaptation of earlier poems
Poets incorporate lines or themes from classical works to add depth and resonance
Requires deep knowledge of literary tradition and cultural references
Allows poets to engage in dialogue with earlier works and demonstrate their erudition
Yamato-kotoba emphasizes use of native Japanese words over Chinese loanwords
Preserves the distinct character and rhythm of the Japanese language in poetry
Waka Aesthetics and Influence
Emotional and Philosophical Concepts
Mono no aware expresses a sensitivity to the transience of things
Conveys a gentle sadness or wistfulness in the face of impermanence
Central to the aesthetic sensibility of Heian period literature
Poets often use natural imagery (cherry blossoms, autumn leaves) to evoke mono no aware
Influenced later Japanese art forms (tea ceremony, Noh theater)
Ki no Tsurayuki played a crucial role in establishing waka as a respected literary form
Compiled the Kokin Wakashū , the first imperial anthology of waka poetry
Wrote the Kana Preface , a seminal work on poetic theory and criticism
Emphasized the importance of natural imagery and emotional sincerity in waka
Waka became an essential skill for courtiers and a means of communication
Influenced the development of Japanese literature, including prose works like The Tale of Genji
Continues to shape modern Japanese poetry and cultural practices