Scriptwriting is all about structure and format. It's like building a house - you need a solid foundation and blueprint before you start decorating. This section breaks down the key elements of screenplay formatting and the three-act structure that forms the backbone of most stories.
From scene headings to dialogue , every part of a script serves a purpose. Whether you're writing a feature film, short, or TV show, understanding these formats helps you craft a compelling story that translates smoothly from page to screen.
Industry-Standard Guidelines
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Adhere to specific formatting guidelines using 12-point Courier font and precise margin settings
Include essential information on title page (script title, writer's name, contact details)
Place page numbers in top right corner starting from first page of actual script
Utilize specific elements for visual storytelling (scene headings, action lines, dialogue)
Scene Headings and Action Lines
Construct scene headings (slug lines) to indicate location, time of day, and interior/exterior setting
Write action lines in present tense to describe visual occurrences in the scene
Avoid including camera directions in action lines
Balance action lines and dialogue for maintaining pacing and visual interest
Center character names in all caps when introducing dialogue
Place dialogue centered beneath character name
Use parentheticals sparingly for brief actions or directions within dialogue
Align transitions (CUT TO:, FADE OUT) to the right margin, using judiciously
Three-Act Structure in Storytelling
Act Breakdown and Plot Points
Divide story into three parts: Setup (Act One), Confrontation (Act Two), and Resolution (Act Three)
Introduce main characters, setting, and inciting incident in Act One
Develop bulk of story in Act Two, presenting obstacles and conflicts for protagonist
Include significant plot twist or revelation at midpoint of Act Two to raise stakes
Resolve story and provide closure in Act Three, featuring climax and tying up loose ends
Utilize plot points (turning points) at end of Acts One and Two to propel story forward
Structure Benefits and Character Development
Provide framework for pacing and maintaining audience engagement throughout narrative
Allow for character development arc across three acts
Establish clear progression of events and conflicts
Enable effective build-up of tension and release through act structure
Create feature film scripts ranging from 90 to 120 pages (each page roughly one minute of screen time)
Develop short film scripts under 40 pages, focusing on single conflict or character arc
Adapt pacing and story complexity based on script length
Television Script Variations
Vary television script formats based on show type (sitcom, drama, limited series) and network requirements
Include teaser and tag in sitcom scripts, marking clear act breaks for commercial placement
Follow four or five-act structure for hour-long drama scripts, designed for commercial interruptions
Allow more flexibility in structure and length for limited series or streaming platform scripts
Mimic style and format of existing series when writing spec scripts for television shows
Script Elements: Scene Headings, Action, Dialogue
Scene Heading Construction
Provide crucial information about location, time, and setting in scene headings
Format scene headings with INT. or EXT. (interior or exterior), specific location, and time of day
Use scene headings to orient reader and production team
Action Line Composition
Describe visual elements of scene in action lines (character actions, expressions, environmental details)
Write action lines concisely and vividly in present tense
Avoid unnecessary details or unfilmable elements in action descriptions
Dialogue Crafting and Purpose
Reveal character personality through dialogue
Advance plot and convey information that cannot be shown visually
Create distinct voices for each character, reflecting their unique background and motivations
Use parentheticals within dialogue for brief directions on line delivery or small actions
Employ parentheticals sparingly to avoid overwriting