6.2 Traditional art supplies in street contexts

Street artists use traditional art supplies in innovative ways to create public works. Markers, chalk, and brushes offer precise control and diverse color options for outdoor surfaces like concrete, brick, and metal.

Adapting techniques for public spaces involves scaling up designs, working with surface textures, and overcoming challenges like weather and time constraints. Traditional supplies complement spray paint, allowing for detailed work and unique visual effects in urban environments.

Traditional Art Supplies in Street Contexts

Traditional tools for outdoor art

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Top images from around the web for Traditional tools for outdoor art

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  La montagne du diable de Teufelsberg est un paradis pour le street art View original

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  Street art - Wikitravel View original

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  TIVOLI CARPARK STREET ART COLLECTION MARCH 2015 REF-102664… | Flickr View original

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  La montagne du diable de Teufelsberg est un paradis pour le street art View original

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• Markers
  • Utilize permanent markers for increased durability and resistance to fading or smudging (Sharpie, Molotow)
  • Employ paint markers for bolder, more opaque lines and better coverage on various surfaces (Posca, Montana)
  • Experiment with varying tip sizes for different line weights and levels of detail (fine, medium, broad)
• Chalk
  • Use soft pastels for blending and shading to create smooth color transitions and gradients (Rembrandt, Sennelier)
  • Apply chalk markers for more precise lines and less dust compared to traditional chalk (Bistro, Chalk Ink)
  • Create temporary, large-scale works with sidewalk chalk for community engagement and interaction (Crayola, Koss)
• Brushes
  • Choose bristle brushes for textured surfaces like brick or concrete to achieve a more tactile and organic look
  • Opt for synthetic brushes for smoother application on metal or glass surfaces to ensure even coverage
  • Utilize varying brush sizes for different levels of detail and coverage (round, flat, fan)
• Outdoor surfaces
  • Transform concrete and asphalt sidewalks and streets into canvases for public art (walkways, parking lots)
  • Incorporate brick and stone walls as textured backgrounds to add depth and character to artworks
  • Explore metal surfaces like doors, signs, and utility boxes for a more industrial and urban aesthetic
  • Experiment with glass windows and mirrors for reflective effects and interactive elements (storefronts, bus shelters)

Adapting techniques for public spaces

• Scale considerations
  • Employ larger tools and supplies for increased visibility from a distance to ensure the artwork is noticeable and impactful
  • Simplify designs and compositions to accommodate larger scale and maintain clarity of the message or concept
  • Work in sections or grids for better control and consistency across the entire artwork (quadrants, panels)
• Surface texture adaptations
  • Apply thicker, more opaque materials on rough surfaces for better coverage and to minimize the appearance of inconsistencies (acrylic paint, enamel)
  • Experiment with layering and building up colors and textures to create depth and visual interest (stippling, cross-hatching)
  • Incorporate the surface texture into the artwork as a design element to embrace the unique characteristics of the location (brick patterns, cracks)
• Public space challenges
  • Work quickly and efficiently to minimize interruptions or interference from pedestrians, authorities, or weather changes
  • Be prepared for varying weather conditions and lighting by using materials that can withstand exposure to elements (UV-resistant, waterproof)
  • Consider the safety and accessibility of the chosen location to ensure the artwork can be enjoyed by a diverse audience (ADA compliance, visibility)

Traditional supplies vs spray paint

• Traditional art supplies
  • Allow for more precise control and detail in creating intricate patterns, lettering, and imagery (fine lines, gradients)
  • Offer a wider range of colors and shades for more nuanced and diverse palettes (pastels, neons)
  • Can create softer, more blended effects for a painterly and atmospheric quality (washes, fades)
  • May require more time and effort to cover large areas consistently and evenly
• Spray paint
  • Provides quick and efficient coverage of large areas for faster execution and broader impact (murals, backgrounds)
  • Creates sharp, crisp lines and edges for a more graphic and contemporary style (stencils, cut-outs)
  • Limited color palette compared to traditional supplies, often relying on pre-mixed colors and fewer options for custom shades
  • Can be more difficult to control and achieve fine details due to the spray pattern and pressure (overspray, drips)
• Combining techniques
  • Use both traditional supplies and spray paint in a single artwork to leverage the strengths of each medium
  • Utilize the strengths of each medium for different elements of the composition (spray paint for backgrounds, markers for details)
  • Experiment with layering and juxtaposing the two techniques for unique effects and visual contrast (collage, mixed media)

Durability of outdoor artworks

• Factors affecting durability
  • Exposure to sunlight, rain, and other weather conditions can cause fading, peeling, or deterioration of materials
  • Interaction with pedestrians and vehicles may lead to physical damage, scratches, or wear and tear
  • Surface preparation and adhesion of materials can impact the longevity and stability of the artwork (priming, sealants)
• Enhancing longevity
  • Use high-quality, lightfast, and water-resistant materials to minimize fading and damage from environmental factors (archival inks, outdoor paints)
  • Apply protective coatings or sealants over finished artworks to create a barrier against moisture, dirt, and UV rays (varnish, clear coat)
  • Choose locations with some shelter or protection from the elements to reduce direct exposure to harsh conditions (overhangs, alcoves)
• Maintenance and restoration
  • Regularly inspect and document the condition of the artwork to identify any signs of damage or deterioration (photos, notes)
  • Perform touch-ups or repairs as needed to maintain the integrity and appearance of the piece (color matching, patching)
  • Consider the potential for removal or replacement if the artwork becomes severely damaged or degraded over time (repainting, decommissioning)