emerged as a distinctive Post-Impressionist style in the late 19th century. It emphasized subjective expression through , flat colors, and , rejecting naturalistic representation in favor of emotion and symbolism.
Key figures like Gauguin, Bernard, and Anquetin developed Cloisonnism, drawing inspiration from medieval stained glass, Japanese prints, and folk art. The style influenced later movements like the Nabis and contributed to the evolution of modern art.
Origins of Cloisonnism
Cloisonnism emerged as a distinctive style within the Post-Impressionist movement in the late 19th century
Developed by a group of artists who sought to break away from the naturalistic approach of Impressionism
Emphasized a more subjective and expressive approach to painting that prioritized emotion and symbolism over realistic representation
Synthetism vs Cloisonnism
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and Cloisonnism are closely related artistic movements that emerged in the late 19th century
Both styles prioritized a simplification of forms, bold outlines, and
Cloisonnism is considered a more specific subset of Synthetism, characterized by its emphasis on bold outlines and stained glass-like quality
Gauguin's role in development
played a central role in the development of Cloisonnism
Gauguin's paintings from his time in Brittany and Tahiti exemplified the style's emphasis on simplified forms, bold outlines, and flat areas of color
Gauguin's work helped to establish Cloisonnism as a distinct artistic movement and influenced many younger artists
Bernard's role in development
was another key figure in the development of Cloisonnism
Bernard's paintings, such as "Breton Women in the Meadow," exemplified the style's decorative quality and rejection of naturalistic representation
Bernard worked closely with Gauguin and helped to refine the principles of Cloisonnism
Anquetin's role in development
was also an important contributor to the development of Cloisonnism
Anquetin's paintings, such as "Avenue de Clichy: Five O'Clock in the Evening," demonstrated the style's emphasis on bold outlines and simplified forms
Anquetin collaborated with Gauguin and Bernard in the development of the Cloisonnist aesthetic
Defining features of Cloisonnism
Cloisonnism is characterized by a set of distinctive formal and stylistic features that set it apart from other artistic movements of the time
The style prioritized a subjective and expressive approach to painting that emphasized emotion and symbolism over realistic representation
Cloisonnism sought to create a new kind of decorative and symbolic art that drew on a range of non-Western and historical influences
Bold outlines vs natural contours
One of the most distinctive features of Cloisonnism is its use of bold, black outlines to define forms
These outlines are not naturalistic contours, but rather serve to flatten and simplify forms into abstract shapes
The bold outlines give Cloisonnist paintings a stained glass-like quality and emphasize their decorative nature
Flat areas of color
Cloisonnism is also characterized by its use of flat, unmodulated areas of color
Colors are applied in broad, uniform patches with little or no shading or modeling
The flat areas of color contribute to the overall decorative quality of Cloisonnist paintings and reinforce their emphasis on simplified forms
Simplified forms
Cloisonnism prioritizes a simplification and abstraction of forms
Objects and figures are reduced to their essential shapes and contours, with little concern for naturalistic detail
The simplified forms give Cloisonnist paintings a primitive, almost childlike quality that reflects the artists' interest in non-Western and historical art
Decorative quality
Cloisonnism places a strong emphasis on the decorative quality of painting
Paintings are often composed like tapestries or stained glass windows, with flat areas of color and bold, rhythmic patterns
The decorative quality of Cloisonnist paintings reflects the artists' rejection of naturalistic representation in favor of a more symbolic and expressive approach
Rejection of illusionistic space
Cloisonnism rejects the illusionistic space of traditional Western painting
Instead of creating a sense of depth through perspective and modeling, Cloisonnist paintings emphasize the flatness of the picture plane
The rejection of illusionistic space contributes to the overall decorative and symbolic quality of Cloisonnist paintings
Influences on Cloisonnism
Cloisonnism drew on a range of non-Western and historical influences in its development
The style reflected a broader interest among artists in primitivism and the art of non-Western cultures
Cloisonnist artists sought to create a new kind of symbolic and expressive art that drew on these diverse influences
Medieval stained glass
One of the key influences on Cloisonnism was medieval stained glass
The bold outlines and flat areas of color in Cloisonnist paintings are reminiscent of the leaded glass windows of Gothic cathedrals
Cloisonnist artists were drawn to the symbolic and decorative quality of medieval stained glass and sought to incorporate these elements into their own work
Japanese woodblock prints
Another important influence on Cloisonnism was , or ukiyo-e
Cloisonnist artists were drawn to the flat, decorative quality of Japanese prints and their use of bold outlines and simplified forms
The influence of Japanese art can be seen in the flattened perspective and emphasis on pattern in many Cloisonnist paintings
Folk art
Cloisonnism was also influenced by various forms of folk art, including medieval tapestries, primitive sculpture, and children's art
Cloisonnist artists were drawn to the simplicity and directness of folk art and sought to incorporate these qualities into their own work
The influence of folk art can be seen in the naïve, almost childlike quality of many Cloisonnist paintings
Key works of Cloisonnism
Cloisonnism is exemplified by a number of key works that demonstrate the style's distinctive formal and stylistic features
These works reflect the diverse influences and artistic goals of the Cloisonnist movement
Many of these key works are now considered masterpieces of Post-Impressionist art and have had a lasting impact on the development of modern painting
Vision of the Sermon by Gauguin
"Vision of the Sermon" (1888) is one of Paul Gauguin's most famous Cloisonnist paintings
The work depicts a group of Breton women listening to a sermon, with the figure of Jacob wrestling an angel in the background
The painting exemplifies Cloisonnism's use of bold outlines, flat areas of color, and simplified forms to create a symbolic and expressive image
Breton Women in the Meadow by Bernard
"Breton Women in the Meadow" (1888) is a key work by Émile Bernard that demonstrates the decorative quality of Cloisonnist painting
The work depicts a group of Breton women in a stylized, almost abstract landscape, with flat areas of color and bold, rhythmic patterns
The painting reflects Bernard's interest in creating a new kind of symbolic and decorative art that drew on non-Western and historical influences
Avenue de Clichy: Five O'Clock in the Evening by Anquetin
"Avenue de Clichy: Five O'Clock in the Evening" (1887) is a notable work by Louis Anquetin that exemplifies Cloisonnism's rejection of naturalistic representation
The painting depicts a Parisian street scene in a highly stylized and simplified manner, with flat areas of color and bold, black outlines
The work reflects Anquetin's interest in creating a new kind of urban landscape painting that emphasized the decorative and expressive qualities of the medium
Impact of Cloisonnism
Cloisonnism had a significant impact on the development of modern art in the late 19th and early 20th centuries
The style's emphasis on simplification, abstraction, and symbolic expression influenced a range of later artistic movements
Cloisonnism's legacy can still be seen in the work of many 20th century artists who sought to push the boundaries of traditional representation
Influence on Nabis movement
Cloisonnism had a direct influence on the Nabis, a group of French artists who emerged in the 1890s
The Nabis, which included artists such as Pierre Bonnard and Édouard Vuillard, adopted many of the formal and stylistic innovations of Cloisonnism
The Nabis' emphasis on decorative patterning, flat areas of color, and symbolic expression can be traced back to the influence of Cloisonnist artists such as Gauguin and Bernard
Contribution to evolution of modern art
Cloisonnism played an important role in the evolution of modern art in the late 19th and early 20th centuries
The style's rejection of naturalistic representation and emphasis on formal experimentation paved the way for later avant-garde movements such as Fauvism and Expressionism
Cloisonnism's interest in non-Western and primitive art also helped to broaden the scope of modern art and challenge traditional notions of beauty and representation
Legacy in 20th century art
The legacy of Cloisonnism can be seen in the work of many 20th century artists who sought to push the boundaries of traditional representation
Artists such as Henri Matisse, André Derain, and Maurice de Vlaminck were influenced by the bold colors and simplified forms of Cloisonnist painting
The decorative quality and symbolic expression of Cloisonnism also had an impact on later movements such as Art Nouveau and Symbolism